Arranged By, Orchestrated By – Basil Kirchin
Arranged By, Orchestrated By [In Association With] – Jack Nathan
Design [Cover Design] – Jill Oxley
Liner Notes – Basil Kirchin, David Greene
Producer, Coordinator [Music Coordination] – Basil Kirchin, Esther Kirchin
Soprano Saxophone – Evan Parker
Written-By – Basil Kirchin, Jack Nathan
Notes
A Denis Preston Production ℗ 1971

Recorded in Pianofabriek by Kenny Martens and Studio Grez by Giovanni di Dommenico and Nico Roig in Brussels.
Nico Roig – Baritone Guitar, Acoustic Guitar
Joachim Badenhorst – Bass Clarinet, Clarinet, Objects
Marti Melia – Bass Sax, Clarinet, Objects
Joao Lobo – Drums
Miquel Casaponsa – Guitar on “Opera”
Genre: Contemporary Classical, Experimental
Label: Bankrobber

The 4th Collectors' Club release (April, 1999). From the 26th August, 1982 performance at Cap D'Agde, France.
Personnel :
Adrian Belew (guitar, vocal)
Robert Fripp (guitar)
Tony Levin (stick, bass guitar)
Bill Bruford (drums, percussion)

Originally released: 1998 (Only through the King Crimson Collectors' Club)
From the 26th February, 1972 performance at the Baseball Park in Jacksonville, FL.
Personnel :
Robert Fripp (guitar, mellotron)
Mel Collins (sax, flute, mellotron)
Boz Burrell (bass guitar, lead vocal)
Ian Wallace (drums, backing vocal)

"The 1st Collectors' Club release (October, 1998).
Believed to be from the Sunday 6th July, 1969 performance at The Marquee Club in London, England."
Personnel :
Robert Fripp (guitar)
Ian McDonald (woodwind, keyboards, mellotron, vocal)
Greg Lake (bass guitar, lead vocal)
Michael Giles (drums, percussion, vocal)
Peter Sinfield (illumination )

Red Scarf由吉他手李星、管乐老丹、鼓手邓博宇组成，这支活力四射的自由即兴新军推出了同名专辑《Red Scarf》，Red Scarf？没错，红领巾，叫少先队也行！
红领巾乐队专辑由BadHead厂牌出版。BadHead 是摩登天空旗下的一个子厂牌，由张晓舟负责。Red Scarf这张唱片属于BadHead实验唱片系列。
红领巾乐队的音乐一波三折，翻江倒海，一种摧枯拉朽的暴力美学。
（视频链接：
（红领巾三重奏）
RED SCARF成立于2013年。
三位成员分别是邓博宇（鼓）、李星（吉他）和老丹（管乐）。他们都是近年来活跃在前卫实验、自由即兴、民族先锋音乐舞台上的中国现代音乐演奏家。
红领巾对声音、空间、结构以及即兴形式有独特的诠释方式，对乐器的运用也极具个性。他们注重情绪细节上的表达，又有点朋克味道，三人的不同情绪充分凝聚，继而带出了他们音乐中饱满的张力。
邓博宇：
风格涵盖摇滚、爵士和自由即兴。他同时也是一位前卫电子音乐人，沉迷于极简主义的氛围建设，作品音色敏感，细腻而又不失奇思妙想的怪异节奏，对于采样、拼贴有着独特审美视角。并于2012年出版了首张个人电子专辑《旷野密码》。他同时也是五条人乐队的鼓手，参与录制了五条人的最新专辑《广东姑娘》。
李星：
自由音乐人，吉他手。从实验摇滚到自由爵士，再到声音艺术，他抽离不同风格中的声音语言并进行再塑造，从而形成自己的语汇。从北京的干燥到上海的阴柔，多年的音乐生活使他对声音有了更多思考，通过了解阴阳中术数的关系去思考声音与中国当代社会的关系，这也激发了他对噪音、环境、序列音乐的尝试，以及更多的可能性。
2014年担任戏班《太平有象》和《五石散》双专辑制作人和主要编曲，此专辑荣获第十五届“华语音乐传媒大奖”的三个奖项。2015年初随戏班携新专辑在德国进行了五城巡演后退出乐队。
老丹：
自由音乐人，吹奏乐手，起初学习萨克斯后来专业学习中国竹笛：
• 2002年至2006年长期在北京研习竹笛
• 2007年以专业第一的成绩考入沈阳音乐学院竹笛专业，在校期间曾担任沈音青年民族乐团笛子首席。
• 2012年开始学习研究世界各地民族管乐器。包括：口弦，Didgeridoo，Bansuri，Bamboo Sax，Duduk等，并对中国传统竹笛的演奏方式和方法加入自己的看法和技巧，在演奏中及其注重自由，情绪，创造，思维，空间等细节。
• 2014年曾参与创作并录制戏班的《太平有象》《五石散》双张专辑，2015年初随戏班携新专辑在德国进行了五城巡演后退出乐队。
直到现在经过大量的演出和录音之后，他的音乐风格中又涉及到了实验，噪音，自由即兴等元素，并通过笛子，萨克斯为主要线条，时而也会加入一些世界各地的吹奏乐器以使自己的音乐更为丰富，更具有创造性。

荒腔走板选段

So Ma Hang
MaMo
郭龙所指的那首日本歌
飞的高的鸟不落在跑不快的牛的背上
如果你相信
那不是我的名字
跳下去
狼之河
简单的道理
丢失了梦的清晨

Spoon Records and Mute are delighted to announce the release of Can – The Lost Tapes, the long awaited box set of unreleased studio, soundtrack and live material.
The Lost Tapes, out on 18 June 2012, was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau.
Whilst dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labeling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music.
What they found was years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons – soundtracks to films that were never released and tracks that didn’t make it onto the final versions of albums due to space.
Irmin Schmidt explains “Obviously the tapes weren’t really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn’t allow forgetting.”
The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.

The Power to Believe is an album by the band King Crimson released in 2003, a companion to the preceding mini-album Happy With What You Have to Be Happy With (2002).