Electric Ladyland是Jimi Hendrix第三张，也是最后一张专集，於1968年10月16日由Reprise Record推出。作曲及製作都是Hendrix一手包办，也是Jimi电子吉它弹奏技术的最高峰，被认为是史上最佳摇滚专集之一。专集不只是以Jimi Hendrix Experience乐队名誉推出的最后一张唱片，亦是他自己监察下製作的最后一张专业录音室专集。之后两年，他餘生都是尝试努力於组新乐队和灌录些新歌曲。
Electric Ladyland是张双唱片专集，是Jimi Hendrix跨领域音乐天才横溢的表现。涉猎了多种音乐类型，包括<Burning of the Midnight Lamp>的迷幻色彩(之前的1967年夏在英国推出过单曲)，蓝调感吉它演绎的<Voodoo Chile>，新奥尔良摇滚的<Come On>，史诗式录音室製作的<1983... (A Merman I Should Turn to Be)>，评论社会的"House Burning Down"等等。专集亦收录了翻唱Bob Dylan作品的<All Along the Watchtower>，受到包括Bob Dylan自己和其它人的讚扬。还有<Voodoo Child (Slight Return)>长久以来都是电台和吉它乐手必奏曲目。
在他的专辑中，乐迷们最喜欢的专辑是《Electric LadyLand》，史诗式魔幻元素一浪接一浪，很取悦耳朵。

Japanese limited edition reissue of 1972 album that's out-of-print domestically, packaged in a miniature LP sleeve with 2 added bonus tracks 'La Tua Casa Comoda' & 'Donna Vittoria'.

Uomo di pezza is an album by the Italian progressive rock band Le Orme. It was released in 1972 and was one of their best selling works.
Compared to the previous album, it shows much more classical elements: The opening of this work is nothing else as a chaconne of Johann Sebastian Bach, played on piano by maestro Gian Piero Reverberi. Furthermore, Tony Pagliuca plays a synthesizer for the first time.
The lyrics of Uomo di pezza describe a powerless, problematic masculine attitude, juxtaposed to an unknown, inscrutable feminine universe.

Piano, Lead Guitar, Synthesizer [Arp], Spinet, Vocals – Vittorio De Scalzi
Piano, Organ [Hammond], Synthesizer [Moog], Mellotron, Electric Piano – Renato Rosset
Bass – Giorgio D'Adamo
Chorus – Anna, Giulietta
Drums – Tullio D'Episcopo
Percussion – Ramasandiran Somusundaran
Tenor Saxophone, Flute – Giorgio Baiocco
Producer – Alberigo Crocetta
Engineer [Sound Technician] – Gianluigi Pezzera
Mixed By, Technician – Pierluigi Molinari

Japanese reissue of 1973 album, packaged in a limited edition miniature LP sleeve. Ricordi/BMG. 2003.

该专辑是在剧作家、后来的捷克总统瓦茨拉夫·哈维尔 (Václav Havel) 位于赫拉德奇卡的房子里录制的。该专辑于 1983 年在加拿大发行，2002 年在捷克共和国发行。

Originally released in 1974 on the BASF label. They only made one album and then disappeared but this is definitely an obscure classic out of the '70s Italian progressive rock scene. A concept album (the music is actually a fable concerning the penguin Murple) with two long tracks that together are a little bit over 30 minutes. For fans of King Crimson, Emerson, Lake & Palmer and Le Orme. Miniature LP sleeve with original artwork.

Japanese remastered reissue of the progressive rock act's 1973 album, packaged in a miniature LP sleeve.

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Limited edition reissue of the progressive rock act's 1971album packaged in a miniature gatefold LP sleeve. BMG. 2003.

Japanese reissue of the Italian progressive rock act's 1972 album, packaged in a miniature LP sleeve. A trio from Turin, formed in 1970 by keyboard player Alluminio and drummer Ostorero with various guitarists (Guido Maccario, Aldo, Andrea Sacchi, Piero Tonello, then Enrico Cagliero), they only lasted for a couple of years and their only album, Scolopendra, was issued when they had already split. Arcangelo. 2004.

Bass, Vocals – Terry Stevens
Drums – Dude Durst
Harmonica [Mouth Organ] – Moio Weideli
Lead Guitar, Sitar, Vocals – Walti Anselmo
Piano, Violin, Vocals – Hardy Hepp

Previously unissued album from Swedish psychedelic spacerockers (aka Garden Of the Elks) recorded between 1973 and 1974. 2001.

Japanese limited edition pressing includes 3 bonus tracks packaged in a miniature LP sleeve. By the time Santana arrived on the San Francisco scene in 1968, the Grateful Dead's freeform antics were already legendary. But Santana was a jam band of another order, fueled by Latin rhythms, blues, bebop, and straight-ahead rock. Having set the audience at the 1969 Woodstock festival on its collective ear, the band did the same for the nation with its self-titled debut. Songs such as 'Evil Ways', 'Jingo' and 'Soul Sacrifice' contain extraordinary ensemble playing, powered by percolating congas and timbales and topped by the grippingly human cry of Carlos Santana's guitar. CBS. 2006.