花朵已经开了，

我已经怀孕了，

求你让我生下，

这不合时代的孩子

——敏感之花乐队
敏感之花乐队成立于1996年8月，乐队成员由词曲、主唱及节奏吉它梁旭，主音吉它唐艺，贝司周琦及鼓手张宏凯组成，主唱梁旭先前曾在“史诗乐队”、“NO乐队”“冷血动物乐队”等乐队担任过鼓手及合唱，技术功底优秀。敏感之花的歌曲风格以迷幻加入后PUNK的思想融入形成，乐队成立以来，先后去过青岛、桂林、北海、南宁、广州等城市参加过演出，在北京“大西俱乐部”“嚎叫”“忙峰”“17”等酒吧演出过，敏感之花乐队最近有三首单曲分别被摩登天空公司、镭典丽声公司收录。其中《五拍》收录于摩登天空有声音乐杂志1中。

敏感之花乐队的音乐是融合中国古典宫庭音乐曲风之精髓的纯粹的东方迷幻音乐。“敏感之花”作品是超现实的。呈现的是一种境界，超出喜怒哀乐范畴的另一种思维形式，称为“另类思维方式”。其作品给每个人感受各不相同，达到了“仁者见仁”，“智者见智”的效果，与“禅”的作用异曲同工!是一种真正可以将人带入幻境的音乐。乐曲本身似乎就是幻境的化身。乐曲配器手法与众不同，“敏感之花”注重和声实际效果，不去理会从理论上怎么解释，而是运用最直接的手段体现某种意境。无所谓和弦，甚至于称为“音程”比较合适。其作品不刻意去赞美什么、叛逆什么，而是坚持自己的信念，用灵魂创作最为严肃的作品。其乐韵，可谓冥冥之中神“梵唱”点化万千芸芸众生、开悟不羁执迷的人性、抚慰怯懦无助的心灵、解放每一个乐手都具有非凡创作意识，和高超的演技术，是技术派的忠实捍卫者。
我自己很喜欢。这几年一直在找CD。有愿意转让的朋友请联系我。

One of the most ambitious debuts in rock history, Freak Out! was a seminal concept album that somehow foreshadowed both art rock and punk at the same time. Its four LP sides deconstruct rock conventions right and left, eventually pushing into territory inspired by avant-garde classical composers. Yet the album is sequenced in an accessibly logical progression; the first half is dedicated to catchy, satirical pop/rock songs that question assumptions about pop music, setting the tone for the radical new directions of the second half. Opening with the nonconformist call to arms &Hungry Freaks, Daddy,& Freak Out! quickly posits the Mothers of Invention
as the antithesis of teen-idol bands, often with sneering mockeries of the teen-romance songs that had long been rock's commercial stock-in-trade. Despite his genuine emotional alienation and dissatisfaction with pop conventions, though,
Frank Zappa was actually a skilled pop composer; even with the raw performances and his stinging guitar work, there's a subtle sophistication apparent in his unorthodox arrangements and tight, unpredictable melodicism. After returning to social criticism on the first song of the second half, the perceptive Watts riot protest &Trouble Every Day, & Zappa exchanges pop song structure for experiments with musique concrète, amelodic dissonance, shifting time signatures, and studio effects. It's the first salvo in his career-long project of synthesizing popular and art music, high and low culture; while these pieces can meander, they virtually explode the limits of what can appear on a rock album, and effectively illustrate Freak Out!'s underlying principles: acceptance of differences and free individual expression.
Zappa would spend much of his career developing and exploring ideas -- both musical and conceptual -- first put forth here; while his myriad directions often produced more sophisticated work, Freak Out! contains at least the rudiments of almost everything that followed, and few of Zappa's records can match its excitement over its own sense of possibility.

2016 archive release. This is the one that has the Zappa online forums really buzzing! Though nothing was ever officially released from Frank's Petit Wazoo 1972 tour until 2005 (on the Zappa Family Trust release Imaginary Diseases), Frank had revisited and worked on the material that makes up this sequel to that '05 release in spurts throughout the '70s and '80s. Finally we get more from this massively improvisational period that found FZ leading a 10-piece horn-driven lineup. "Cosmik Debris," "Little Dots" (two versions), "Rollo," "Kansas City Shuffle" and two versions of "Columbia, S.C."

During the time when these 6 tracks were recorded,
Dolphy kick bebop were 31(guitar,tin whistle,vocal),
周一(bass,vocal),地球(synthesizer,drums,percussion),
负齿(drums,percussion),二本目(saxphone,guitar).
*Guest:李平(percussion)
All songs and lyrics written by Dolphy kick bebop
录音地点：隔壁
Recorded at Gebi
录音：李平
Recorded by Li Ping
混音：沈帜
Mixed by Shen Zhi

Guitar, Seruling Flute, Chi-ben, Vocal: 31
Bass, Synthesizer: Zhou Yi 周一
Tenor Saxophone, Soprano Saxophone, Harmonica: Liu Zhongtian 劉中天
Drums, Percussion, Glockenspiel: Ozrysanrc 小薩
Violin, Glockenspiel: Shen Zhi 沈幟
Recorded live at GEBI 隔壁 in Yiwu, Zhejiang, China, 9th November, 2019
Recorded by Li Ping 李平
Mixed by Shen Zhi 沈幟
Mastered by Cyril Meysson in Saint-Étienne, France, April, 2020
Cover figure partially taken from mural at GEBI, by Shu
Design & Layout by Ruò Tán 若潭

Shades of Deep Purple is the debut studio album by the English rock band Deep Purple, released in July 1968 on Tetragrammaton in the United States and in September 1968 on Parlophone in the United Kingdom. The band, initially called Roundabout, was the idea of former Searchers drummer Chris Curtis, who recruited Jon Lord and Ritchie Blackmore before leaving the project. The Mk. I line-up of the band was completed by vocalist/frontman Rod Evans, along with bassist Nick Simper and drummer Ian Paice, in March 1968.
After about two months of rehearsals, Shades of Deep Purple was recorded in only three days in May 1968 and contains four original songs and four covers, thoroughly rearranged to include classical interludes and sound more psychedelic. Stylistically the music is close to psychedelic rock and progressive rock, two genres with an ever-growing audience in the late 1960s.
The album was not well received in the UK, where it sold very little and did not chart. In the US, on the other hand, it was a success and the single "Hush", an energetic rock track written by Joe South and originally recorded by Billy Joe Royal, became very popular at the time, reaching number 4 on the US Billboard Hot 100 chart.[1] The good sales of the album and the intense radio play of the single contributed largely to the attention Deep Purple would get in their early US tours and also during the 1970s. Modern reviews of the album are generally positive and consider Shades of Deep Purple an important piece in the history of Deep Purple.

First CD reissue of the album.


Revolver is the seventh studio album by the English rock band the Beatles. It was first released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.


Credits:
Made By – PDO, Germany – 2896 974
Published By – Northern Songs Ltd.
Printed By – EMI Services Benelux B.V.
Phonographic Copyright ℗ – EMI Records Ltd.
Copyright © – EMI Records Ltd.

Design [Cover Designed By], Cover – Klaus Voormann
Engineer – Geoff Emerick
Lead Vocals [Lead Singer] – George Harrison (tracks: 1, 4, 12), John Lennon (tracks: 3, 7, 9. 11, 14), Paul McCartney (tracks: 2, ,5, 8, 10, 13), Ringo Starr (tracks: 6)
Photography By – Robert Whitaker
Producer – George Martin
Written-By – Harrison* (tracks: 1, 4, 12), Lennon/McCartney* (tracks: 2, 3, 5 to 11, 13, 14)

Made in W. Germany
℗ 1966 Original Sound Recordings made by EMI Records Ltd.
© 1966 EMI Records Ltd.
Printed in Holland by EMI Services Benelux B.V. Uden

Side Trips was Kaleidoscope's 1967 debut album. It was released in June 1967, and re-released on vinyl by Sundazed Records (2007). The album has a raw, non-limited instrumental mentality, for each member played many instruments; for example, David Lindley played guitar, banjo, fiddle, and mandolin, and Solomon Feldthouse played saz, bouzouki, dobro, vina, oud, doumbek, dulcimer, fiddle, guitar, and vocals.

Regarded by many as the first Japanese progressive rock group, the Far East Family Band featured the keyboardist and future new age composer, Kitaro. A keyboard-dominated space rock band, the Far East Family Band played extended compositions that brought comparisons to Tangerine Dream and early Pink Floyd.
The group's first album was released under the band name of Far Out. After changing their name, the band released The Cave Down to Earth in 1975. Their first European release, Nipponjin -- Join Our Mental Phase Sound (1975), featured re-recorded versions of material from the previous record and the album attributed to Far Out. The group's next record, Parallel Worlds (1976), was profoundly influenced by Klaus Schulze who Kitaro met on a trip through Europe. With the first track over 30 minutes long, the album bears similarities to Krautrock legends Ash Ra Tempel. Tenkujin (1977) followed and was the band's first and only American release. By this point, the band consisted of Miyashta (vocals, synths, guitars, bamboo flute), Hirohito Fukushima (guitar, vocals, koto), and Yujin Harada (drums, percussion). It would be the band's last record. ~ Geoff Orens, All Music Guide
Personnel:
Akira Fukakusa - bass
Akira Ito - keyboards
Fumio Miyashita - guitar, keyboards
Hirohito Fukushima - vocals, guitar
Masanori Takahashi (Kitaro) - keyboards, percussion
Shizuo Takasaki – drums

高产的五条人继续井喷，继《地球仪》之后，第八张专辑——也就是第六张录音室专辑的第二首单曲《食醉狗》发布。
《食醉狗》是又一首五条人式的“中国迷幻摇滚土特产”。它是五条人第六张录音室专辑中的一首歌，同时也是一个持续的开放的音乐和艺术合作计划，这首歌将与不同的音乐家合作不同的版本。率先推出的，是与著名自由即兴前卫吉他手李剑鸿合作的这个版本。
酒，一直是五条人创作的一个重要题材——或者说助燃剂。
脍炙人口的《像将军那样喝酒》，根据诗人石延年的豪饮传说而改编——“他把酒拎到树上喝，管它叫巢饮；躲在谷堆里探头喝，管它叫鳖饮；戴着枷锁游街喝，管它叫囚饮。”
而在十几天前发布的《地球仪》中，仁科在末尾发出令人颤栗的嘶喊——“为什么你还是滴酒不沾？为什么你还是铁石心肠？”
酒，在这里已经不仅仅是生命的助燃剂，而俨然上升为尼采眼中的酒神。
从《地球仪》到《食醉狗》，在悲剧的诞生中享受生命的狂喜。
关于《食醉狗》的七件事：
1、《食醉狗》不仅仅是一首歌。在张晓舟的策划下，《食醉狗》将是一个以这首歌为中心和出发点的，持续和开放的音乐和艺术计划。
2、《食醉狗》将与不同的音乐家合作各种不同的版本。五条人曾经在现场演出中，分别和马木尔（贝斯）以及老丹（萨克斯）即兴合作这首歌，而这一次，是和李剑鸿合作，同样是即兴合作，同期录音一气呵成。《食醉狗》还会与更多截然不同的音乐家合作，包括完全交给别的音乐家去改编和翻玩。
3、《食醉狗》和《地球仪》录制于同一天：6月5日录制于Modernsky Studio。下午录《地球仪》，晚上录《食醉狗》，所以，这两首歌有某种亲缘关系，它们共享了同一瓶威士忌。
4、《食醉狗》原名《食醉酒》，后来才变成狗。闽南话不说喝酒，说食酒，在中国的不少方言中，都把喝酒说成食酒或吃酒。
5、和《地球仪》一样，这首《食醉狗》的后期制作由广州的Royal City Studio担纲。可以说，也是和他们的即兴合作，每一位混音师对一首歌都有不同的理解和阐释。这首《食醉狗》可能还会有不同的混音版本。
6、《食醉狗》创作于2018年，在现场演过多次，每次演绎都不一样，但只有海丰话那一句歌词。此次录音，阿茂增加了一句粤语歌词——「日头瞓觉，夜晚黑饮酒」。于是这首歌变成了粤语和海丰话混搭。
7、和《地球仪》一样，《食醉狗》的单曲封面来自仁科的即兴发挥，他在报纸糊的纸板上胡涂乱抹了一个狗头，以及中英文。然后交给胡子设计。

Growing up in Taiwan in the 90’s, the brothers listen to 電子琴音樂 which they describe as “relaxing Chinese synth pop” along with video game soundtracks, psychedelic music, doom metal and sound collage/library music. On “Mystery 秘神”these inspirations combine with the dark humour of Taiwanese folklore and a love of conspiracy theories to form what they describe as “a psychedelic journey to the east.”
Recorded in their home studio in Taipei, “Mystery 秘神”is a psychedelic journey into Taiwanese folklore combined with the 80’s media obsession with the supernatural. It’s a record that manages to combine nostalgia and tradition with humour and an underlying intrinsic earthiness to create something unlike anything else out there.

Charles Hayward, Guy Segers, Kawabata Makoto

1989 remastered release, accurately referred to as 'the great undiscovered' Cooper album originally released in 1970, features 9 tracks produced with the help of David Briggs (Neil Young) that run the gamut from Zappa to Bowie, and perhaps inspired both. Enigma Retro.

Digitally remastered reissue of the 1974 album from this Dutch Psychedelic/Prog band. Progressive Line. 2006.