Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Pink Floyd: Live at Pompeii is a 1972 concert film directed by Adrian Maben and featuring the English rock group Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a typical live set from the era, but there is no audience beyond the basic film crew. The main footage in and around the amphitheatre was filmed over four days in October 1971, using the band's regular touring equipment, including a mobile 8-track recorder from Paris (before being bumped up to 16-track in post-production). Additional footage filmed in a Paris television studio the following December was added for the original 1972 release. The film was then re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon, and interviews at Abbey Road Studios. The film has subsequently been released on video numerous times, and in 2002, a Director's cut DVD appeared which combined the original footage from 1971 with more contemporary shots of space and the area around Pompeii, assembled by Maben. In 2025, a 4K restoration, titled Pink Floyd at Pompeii – MCMLXXII, was shown in cinemas. A number of bands have taken inspiration from the film in creating their own videos, or filming concerts without an audience. [From Wikipedia]

documentary film

2021 film

他（她）们作为不被目前社会所认知的一小部分人群，饱受着社会、家庭带来的不解和歧视，他们经历着各种暴力问题、工作歧视问题以及医疗问题。通过8位跨性别者以及他们的家人、医生，和我们最真实的镜头故事，带你走近、了解、认识他（她）们。该纪录片由野心视频出品。

After years of swimming every day in the freezing ocean at the tip of Africa, Craig Foster meets an unlikely teacher: a young octopus who displays remarkable curiosity. Visiting her den and tracking her movements for months on end he eventually wins the animal’s trust and they develop a never-before-seen bond between human and wild animal.

张慈，纪录片《流浪北京》人物之一。 1988年，离开北京去往美国。 2013年，25年后，回到云南哀牢山南部元阳老城，开始小说创作。期间母亲生病，自杀未遂，随即放弃写作，到蒙自照顾母亲。 她拿起摄影机，端稳，开始讲述关于病中母亲的故事，以及清真寺，以及所经风景。 25年前靠着破败砖墙吞云吐雾的坚强女人，走了又回来，然后因为家乡一座故城的一川山水，一间屋宇的一个亲人，寻到了名叫信仰的东西。 “我希望这部纪录片成为开启中国的作家电影中有关信仰的开门之作，借此踏上不归路。”张慈说，“也许我以后会一直拍下去。”

Darkly humorous reinterpretation of the zombie film, set in Beijing. Here the undead are real estate agents, nouveau riche businessmen, security guards, manicurists, and sex workers seeking contact in an increasingly individualized, alienating society.

煤市街，位于北京天安门广场西南侧的大栅栏地区，是一条南北走向的街道。为了在2008年奥运会前改善大栅栏地区的交通和市政设施，对这一破败的老旧城区进行改造，从2004年12月27日起，北京市政府启动了煤市街道路改扩建项目，要把原来8米宽的路面扩宽到25米，因此这条街上的多数原住民均面临被拆迁的命运。张金利、孙铁生和刘瑞萍是煤市街的三个拆迁户，他们因为不满政府和拆迁公司的赔偿方案而走上漫长的维权之路，最后均以失败告终，就算是他们之中最顽强的张金利，亦难逃被强拆的结局。这是中国大多数城市在更新发展过程中司空见惯的故事，但这部影片特殊之处在于多数素材由当事人亲自拍摄，那种置身其中的热切以及他们亲历的伤痛，呈现出不可代言的力度。他们的抗争行动改变了煤市街寻常的市井空间，让它焕发出一种新的意味。在剧烈变迁的时代，手持摄影机的张金利们，正在成为另类历史的纪录者。

《三元里》是欧宁、曹斐应邀为第50届威尼斯艺术双年展而创作的实验纪录片。它以缘影会名义制作，采取个人创作与群体协作相结合的制片方式，展开对广州城市化进程和典型城中村三元里的拍摄和研究。《三元里》从三元里这个城中村开始对广州进行切片研究，它以城市漫步者的姿态，探讨历史之债、现代化与岭南宗法聚落文化的冲突与调和、都市村庄的奇异建筑和人文景观，最后形成一部黑白影像诗篇。 《三元里》曾在世界各地放映和参展，并被纽约现代美术馆、广东美术馆以及Uli Sigg、Jean Marc Decrop、Monique Burger、Michael Berger和管毅等收藏家所收藏。 黑白纪录片，40分钟，2003 导演：欧宁/曹斐 拍摄：欧宁、曹斐、缘影会成员 声音：李劲松 制作出品：缘影会(U-theque Organization)

教育，是中国各个阶层共同焦虑的话题，无数家庭穷尽所有把孩子送去国外，都是希望自己的孩子得到更好的教育。身为两个孩子的母亲，常年报道国际新闻的记者周轶君感受到同样的焦虑。轶君走访芬兰、日本、印度、以色列及英国等五个国家，最后回到中国，踏上一趟关于教育哲学的思考之旅。没有竞争的芬兰教育，怎样告诉孩子什么是成功或失败？贫富差距极大的印度，怎样用网络教育弥合孩子之间的差距？集体意识浓厚的日本怎样让孩子理解个人和团队的平衡？影片从小孩的角度去体验课堂，从家长的角度去感受不同的教育方式，也从不同社会的文化、历史出发，去对教育作一个深刻思考。探寻的旅途上，轶君同时回忆起自己的童年，也经历了一次重新审视自身的旅程。

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

“武汉太危险，最好你不要去” “是不是现在还有很多隐瞒的感染者？” 我的日本朋友对武汉有很多偏见。我是作为住在中国的外国人，作为纪录片的导演，特别想去拍武汉，想给全世界介绍真实的武汉。于是我在微博上募集了可以接受我们拍摄的武汉人，然后一百多个人报名了，最后我们选择了十个人的故事。希望通过这部作品让更多的人了解现在的武汉。——摘自导演微博

A documentary about shamate, a wildly controversial subculture that emerged in China in the late ’00s.

这部纪录片由资深音乐录影带导演格兰特·辛格执导，以亲密的视角纪录了蒙德兹过去几年的生活和旅程。

Two young London actors set out together to face the greatest challenge in the world of acting - Shakespeare.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

在NBA60年的历史中，曾经有多少令人难忘的瞬间：从孤独巨人到篮球皇帝，再到黑白双煞，飞人创造巅峰霸业；从凯尔特王朝到诸侯争霸，再到公牛王朝，OK组合重塑紫金帝国；这里孕育了50大巨星，这里培养了无坚不摧称霸世界的梦之队，这里代表着世界篮球发展的方向……这里是世界篮球的殿堂，如今它拥有华丽而繁荣的景象，但在它的成长历史中更充斥着无数传奇……NBA故事汇带你穿越时空，随着历史影像重温这精彩瞬间！

Two Oakland teens (Leila Mottley, Ajai Kasim) explore what it means to be young, Black and committed to making art in their rapidly changing city. | SHORT FILM Directed by Nico Opper and Shannon St. Aubin Curated by Tribeca Film Festival