Lady Gaga宣布全新混音专辑《Dawn of Chromatica》将于2021年9月3日发行。混音阵容包括Arca，Charli XCX，Rina Sawayama，Shygirl等电子制作人及歌手。

真实梦魇 | Sonicave《荒诞故事集》全碟发布 Sonicave乐队名源自Sonic Youth和Nick Cave，因受Nick Cave和Sonic Youth影响深远，Sonicave的音乐吸取了Nick Cave阴郁智慧的气质和Sonic Youth先锋低保真的个性，并保留着两支乐队身上的严肃性和学院派，是一支四人女子哥特后朋克乐队。 乐队于2015年6月成立于成都，2019年在赤瞳音乐发布首张专辑《Rushing Hours》。在这张专辑中，她们以后朋克的审慎克制和哥特式的复古美感为生活在甜美幻觉中的都市人群，诚意奉上了一席剖析人性的盛宴。时隔两年后，《荒诞故事集》延续着首张专辑的表达再度归来，为我们一一展现她们构筑的荒诞世界。 《荒诞故事集》由制作人李平采用同期录音的方式录制于天体录音室（位于义乌隔壁酒吧），李马科在广州RC Studios完成母带。新专辑历时两年的创作与打磨，展现出了Sonicave更成熟多元的创作及编曲能力。10首歌曲，自成一体又互为呼应，充满画面感的歌词配合纯正而耐听的后朋曲风，双主唱的尝试，更多工业元素、合成器的噪响的加入也更进一步拓展了后朋克给人的固有印象。 被群体抛弃的人、为自由和艺术抗争的“青春期天使”、 心事重重的出租车司机、不满现状的胆小鬼、复仇者、狂欢者、怀揣极端爱欲的呓语者……Sonicave在全新《荒诞故事集》构筑了一个个植根于现实，但又与真实有着某种变形的人物。带着她们对生活和人性的勇敢直视和清醒认知，Sonicave就此谱写了一场诙谐荒诞颂。 《My Room》 讲述一个人被群体抛弃的故事。他也曾温柔待人，曝露柔软，但别人怎么能轻易承受不合时宜的邀请，他得到了客气冷漠的拒绝和不能共情的抱歉，他必须接受每个人都有自己的空间和情感。 《Adolescent Angels》 刻画了象征着艺术与自由的天使，内心遭遇这侵犯性世界给予到的种种跌跌撞撞的困琐，同时又向被牢牢控制的世界发声呐喊“他们想把我埋了，可却不知我是粒种子”。但她终被“当权者”轻视嘲笑、玩弄于股掌，只是一场真人秀中的棋子，最后逐渐被洗脑和控制。“青春期天使”，唱着不明意义的歌曲。 《Cab Driver Suicide》 曲风欢快，一改以往的阴郁基调，歌词与所描绘的场景故事却与曲风形成强烈的反差色，诙谐，荒诞，诡异，有趣，千人千面，需要你自己去寻找答案。 《Coward》 一场胆小鬼的自我质问，浑浑噩噩对现实诸多不满的她，被脑海中的声音怂恿，考虑要不要放任自己做点出格的事儿，情节代入感极强，但你一定能走出来的。 《Revenger》 记述一场养成系少女的复仇。被仇人（们）养大，在轻蔑和痛苦中成长，当她亭亭玉立地出现在社交场合，仇人突然发现可以利用她，让她成为帮助自己展开派系斗阵的棋子，而在成长中内心早已变得极度阴暗的她，开始以自己的方式展开报复。 《The Beasts’ Carnival》 人类开了一个大爬梯，邀请了所有动物，每一句蜜语都暗藏着恶毒的心机和目的，像《动物庄园》中的小动物一样，他们以为自己建立起了自己的秩序和王国，却不知人类才是幕后操控一切的黑手，在迷幻药/麻醉剂和人类诱导的作用下，一场野兽嘉年华变成血腥大屠杀。 《Prophecy》 死神和人类的又一场赌局中，利令智昏的人类再一次赌上了一切。这不是预言是必然。 《Chris and Clementine》 一个被诅咒的爱情故事，chris是一个背负着诅咒、只有娶了愿意被自己杀死的女人才能自由的人，在遇到clementine后，感觉她就是自己要找的人，决定实行计划，不料clementine有着不为人知的身份.... 《Predator》 一个直婚出轨的故事，两个对话的女人，一个是百无聊赖的人妻，一个是迷恋她的偷情者，在两人相互纠缠的感情博弈中，逐渐显露贪婪自私的掠食本性。 《Dreamtalk》 一个白日梦者的自述故事，讲述了一个迷幻可爱又让人隐隐不安的梦境。

Driving collective polyrhythms, blazing frontline horns & virtuosic kora stylings collide across this dynamic meeting of traditional Mandé music/culture and contemporary jazz. released July 30, 2021 Yahael Camara Onono - Lead Djembe/Arranger/Composer/ Voice /Sangban N’famady Kouyaté - Balafon/Sangban/ Voice Jali Bakary Konte - Kora Skanda Sabbagh - Dounoun Adeegun Crispin Robinson - Congas/voice Paul Goumou - Omele/Shekere/Sakara Michael Adesina - Lead Talking Drums/Sakara Moses Olukayode - Talking Drums/Sakara Yohan Kebede - Keys Godwin Sonzi - Guitar/voice Jonathan Monga Moko - Bass/voice Nathaniel Cross - Trombone Joe Bristow - Trombone Elias Ntiamoah Atkinson - Flugelhorn/Trumpet Ife Ogunjobi - Trumpet Triston Dubison - Kit Mariam Tounkara Koné - Solo Vocal Recorded at: Livingston Studios Engineered by: Marcus Locock Mixed by: Marcus Locock Mastered by: Daz-I-Kue Date recorded: July 2020 Thanks to: I’d like to thank my ‘father’ Sidiki Dembele for his undying encouragement, mentoring, care and Attention and education in tradition and culture. A big thanks to my Family - Balimaya Project - without whom, none of this would be possible. The talent that surrounds us all is extraordinary. To Michelea Onono and Adaiba Onono, for keeping us Sane. Thanks to Andrew Azuka Uchea (RIP), Frances Uchea and the Uchea family for their prayers and support throughout my life and career. Marcus Locock, for working with us singlehandedly and doing a hell of a job Last but definitely not least, a huge thank you to Jazz re:freshed. Adam, Yvette and team, You have consistently followed and supported everything we have done. Advised, sacrificed and supported. To pull this off during a pandemic was no mean feat. But your unwavering positivity and encouragement has been priceless. What you do for the community, in general, is indescribable. Thank you from the bottom of our hearts.

Lucid Express is the name of five young dreamers creating a stunning airy blend of shoegaze and indie pop amongst the skyscrapers, mountains, and packed alleyways of Hong Kong.The name itself a modest mission statement of the band’s intent. Lucid in the poetic sense of something bright and radiant. The Lucid Express operating as the service to take the listener on a journey through the band’s color-soaked sounds.

由蘋果女王椎名林檎(Vo.)、浮雲(Gt.)、龜田誠治（Ba.）、刄田綴色（Dr.）和伊澤一葉（Kb.）五人所組成的東京事變，歷經解散後於2020閏年元旦再生，並無預警推出新作「未被選中的國民」，震撼歌壇。一向創意豐富又令人驚喜的東京事變也迅速推出收錄了電影劇場版『名偵探柯南：緋紅的彈丸』主題曲「永遠的不在場證明」的EP『NEWS』，並不負眾望推出線上演唱會影像化作品『2020.7.24閏vision特番NEWS FLASH』，向廣大粉絲呈現東京事變獨有的\華麗服裝VS舞台效果影音饗宴。

组建两年，明天的盐 在制作人 杨帆（挂在盒子上、Ourself Beside Me 和 TOW）的协助下，将故事碎片整理成辑，以十个“章回”构成一部名为《明天的盐》的“影片”。伴随十段情感的细微沉浮，你会听到鼓和贝斯的简约律动、双吉他旋律的交织、男女和声，并通过身体感受到错落有致的歌曲结构——明天的盐服从于精巧设计带来的直白快感，有预谋地用声音棱角刺破单纯的意象，让铺陈、变奏和猝不及防的节奏变化，成为听者打着拍子的指尖、隐隐能感到的冷感和温度。 明天的盐是： 词曲/吉他/唱：黎忘年 吉他/键盘：李梓宁 鼓/和声：鸟语 贝斯：孙佳婧 ------------------------- 出品人：孟金辉 策划/设计：吴卓 制作/混音：杨帆 录音：孙伟松 母带：卡 • 萨芬 摄影：张亦飞 ------------------------- 特别鸣谢：李马科、阿翔及各制作人员 二〇二一年三月记录于 广州 RC Studios 小洲录音棚

From Lawrence English I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatriz in Braga, where we both were performing as part of the excellent Semibreve Festival. Subsequent to that I invited her to perform in Australia and we also had the pleasure to send time together this year in Rio during the Novas Frequencies Festival. Across these meetings, I have come to realise the incredible focus, generosity and vision that Beatriz has maintained across her life in sound. Beatriz Ferreyra is one of only a few female concrète composers who were active across the second half of the 20th century through to today. Her work, which is still very much an active investigation, is simultaneously complex and elegantly simple. Often drawing upon singular object of focus, Ferreyra’s use of tape and other forms of manipulation radically reconfigure her chosen sound materials, opening them outward. Canto+, collects works from almost 40 years of her life in music and pays homage to her unerring interests in dynamism, rhythm, voice and the morphic potentials of concrète materials. Two of the works are also dedication to close friends; Jingle Bayle’s (to François Bayle) and Au revoir l’Ami (to Bernard Bashet). This edition picks up where Echos+ leaves off and opens her sound worlds even further.

Lump began in 2018, with a collaboration between Mike Lindsay - a Mercury Prize-winning producer and co-founder of band Tunng, and the GRAMMY-nominated singer-songwriter Laura Marling. "The last record was an experiment," says Lindsay. "And I thought we weren't ever going to do another Lump record." As with the first album, Marling would arrive in the studio without having heard any of Lindsay's music, with the hope that it would bring the lyrics an immediacy and a spontaneity. Having begun studying for a Masters in psychoanalysis, she found she drew heavily on her course texts for this album's lyrics. There were other sources too: half-memories, family stories, strange dreams; things she had read, or been told or imagined. Animal was a word Marling threw into a lyric simply to meet a rhythm. But it seemed to capture the mood of the record, and of the band as a whole. "There's a little bit of a theme of hedonism on the album, of desires running wild," she says."Through Lump we find our inner animal, and through that animal we travel into a parallel universe," adds Lindsay.

2013年，16岁，首专《Pure Heroine / 天生英雌》一举成名，震撼流行乐坛； 2017年，20岁，二专《Melodrama / 狂想曲》口碑佳作，乐评一致好评； 2021年，24岁，三专《Solar Power / 太阳能》自省沉淀，续写崭新传奇; 新西兰音乐创作才女Lorde万众期待的第三张录音室专辑《Solar Power》于今日与大家见面，共收录先行单曲《Solar Power》《Stoned at the Nail Salon》《Mood Ring》等在内的12首单曲，实体版加曲《Helen Of Troy》《Hold No Grudge》。新专辑力邀格莱美金牌制作人Jack Antonoff操刀制作，为其保驾护航。 这张受到自然启发，从中汲取创作灵感的专辑呈现出她朴素自然的生活状态，在经历了神奇的人生旅程之后，她关掉社交账号，回到新西兰北岛的城市奥克兰，这里被绿荫和大海环绕，有沙滩，明媚阳光，亲朋好友，她的温馨小家，然后遛狗，烘焙，做美甲瑜伽，以邮件形式与歌迷朋友分享生活碎片，享受着安静平和的点滴瞬间。她总能在不安与焦躁的世界里保持独到的清醒意识，在名利与欲望中找寻生活的平衡，回归至心之所向。 As she explains herself; "The album is a celebration of the natural world, an attempt at immortalising the deep, transcendent feelings I have when I’m outdoors. In times of heartache, grief, deep love, or confusion, I look to the natural world for answers. I’ve learnt to breathe out, and tune in. This is what came through." + Available as a very Marbled Orange Vinyl pressing (One per customer). + Available as a 'Discless Carbon Positive Format' - 100% Biodegradable Hard Eco Box. Hi-Res Album Download with Bonus Tracks + Access to Exclusive Content. Fold-Out Poster. 32 Page Booklet. Limited 4 Card Set. To honor the natural world the artist is presenting the album in a first-of-its kind, discless format. An eco-conscious Music Box will be available for purchase as an alternative to a CD. This innovative offering will contain extra visual content, handwritten notes, exclusive photos, and a download card. The card will give purchasers a high-quality download of the music, two exclusive bonus tracks, and access to some special surprises along the way. “Solar Power” arrived with a new music video co-directed by Lorde and previous collaborator Joel Kefali. The song was co-written and co-produced with Jack Antonoff. Phoebe Bridgers and Clairo provided backing vocals on the song. Such Movin' on Up vibes. When talking more about the concept Lorde says, “I decided early on in the process of making this album that I also wanted to create an environmentally kind, forward-thinking alternative to the CD. I wanted this Music Box product to be similar in size, shape and price to a CD, to live alongside it in a retail environment, but be something which stands apart and that’s committed to the evolving nature of a modern album.”

Two decades into their journey as ritualistic black metal conjurers, WOLVES IN THE THRONE ROOM have emerged from the forest with Primordial Arcana, their most majestic album to date, and their first release via Relapse Records. Primordial Arcana is the band’s first completely self-contained work: In addition to composition and performance, brothers Aaron and Nathan Weaver alongside guitarist Kody Keyworth handled all aspects of recording, producing and mixing at their own Owl Lodge Studios in the woods of Washington state. The album’s title is a reference to the band’s ongoing reach back to the most ancient, archetypal energies. Leadoff track “Mountain Magick” sets the august tone with alpine guitar melodies cresting skyward in triumph. “Spirit of Lightning” returns briefly to the earthly plane as a tribute to the human connections forged in music. Meanwhile, “Primal Chasm (Gift of Fire)” is an explosion of cosmic grandeur, a symphonic rendering of the hermetic maxim As above, so below as envisioned by Keyworth. In fact, Primordial Arcana is the first WOLVES IN THE THRONE ROOM record in which Kody was a part of the writing process from the start, so it benefits from his background in cosmic... funeral doom. Always uncompromising, Primordial Arcana sees WOLVES IN THE THRONE ROOM stay true to their unique vision. An album born out of the DIY ethos, Primordial Arcana proves to be the band’s most genuine and focused. One of the year’s most ambitious recordings, Primordial Arcana cements WOLVES IN THE THRONE ROOM’s legacy as one of US Black Metal’s most daring, unique, and quintessential bands. more

一些细节让我感到，你真的摆脱了，进入一个新世界，认真地游离其中，看到天上有露珠瓦解，你会笑着感到疑惑，脑波轻柔地颤抖，继续舞蹈，在似曾相识的霎那，四周响起一首浪漫而用力的钢琴曲，很远的地方，我站在一片旷地，看着公园的路，所有人都在移动，临近质变，我想遍历所有空间，但隔着异样的距离，根本无法迈出一步，想起那天车来车往，年轻又凶的阳光穿透树叶，车站旁是巨大的电钻和灰尘，争先恐后的人群，想要把一切都排除在外，这种聒噪的幸福感，来自那场耳语，想再找到只能选择在一个布满鬼怪的深夜，全速冲进瀑布，经历源自个人历史之一段危险，在充满雾气的尽头，用一小时面对终将到来的自我审判，一直以来我都是干枯地蜷缩着，但住在潮湿的地方，被水汽滋出油沫，浑身泛出香味，于是总有水蛇来缠绕，也不知道是搏斗了还是拥抱了，反正力气耗尽，我还以为我站着，可能这就是逐渐沉默的理由，沉重的生命力发出低声嗡鸣，它们经过我，从脚后跟到后脑勺，脊背没有任何发凉，就掉进了深渊，也许是因为峭壁亮起了灯，原本无法承载的电压，带来了安详，听起来像是死了，我顶天立地地看着上面，不太确定，无声中躺下，在所有平静表象的缝隙中，有隆隆的条理在运转，现在从何而来？这个漫长的假日，我就此对回忆模糊推演。 一张传统、朴素、具体的唱片，带有强烈自省、自责、自怜的意味，记录一段回忆以及展现个人某些意识发展、成立和回忆的关联。

出品：花墙FancyWall 录音与后期：瓷饿了/贰羊 监制：徐大叫 策划与编辑：徐大叫/瓷饿了 设计：瓷饿了 器乐：花墙FancyWall 版权所有：花墙FancyWall

Final episode of Shanghai based guitarist MAI mai's Beatles song book series. Recorded at Shanghai, autumn 2020. Compared to Vol. 1 and Vol. 2, in this recording session MAI mai used different instrument /sound gear set: Gibson l-48 acoustic guitar AER compact 60 amp Shure sm-57 mic Hewlett-Packard 3312a Function Generator Bruel & Kjaer Type 2113 Audio Frequency Spectrometer Art design by Liu Lu

許一次未知的出走 走一回世界的巡遊 窺視未知、正視已知、對話天地蒼穹 世界偌大 仍有跡可循 共感而生的絕美價值 睽違三年 蔡健雅用一把木吉他 創出最繁複的極簡 造出極大膽的縝密 用音樂紀錄世界巨變時刻 借自身近觀人類休戚與共 首次包辦全專木吉他編曲、譜曲、自彈自唱及錄音工程 金獎配樂大師Ricky Ho助陣 編寫電影級曠世配樂 “A painting is music you can see, and music is a painting you can hear.”-Miles Davis 用音樂共生 與藝術同在 跨越領域 超越距離 各創各的璀璨生花 音樂與藝術的應和 意象概念碰撞創作 當給予世界一個濕吻後，蔡健雅體悟到了人們都應誠心接納世界給予的一切，無論好壞；也因為發生了未知的驟變，人們才發現，站在世界面前人們有多麽渺小，而我們只能回到自己的空間，開始習慣自言自語、檢視過去、審視利弊，在僅有的空間開啟與世界的對話。當改變成為了一種必然，蔡健雅也身處其中，她開始拿起木吉他，藉由音符試想放肆出走，遊歷所有想要企及的一隅，也因為如此，蔡健雅發現在籌備專輯的過程當中不自覺藉由這樣的方式療癒自己。當我們能掌握的太少，瞬息萬變的又不可控，唯一不被左右的只剩自己的初心。蔡健雅深諳能向世界發出訊息的就是她的音樂，整張專輯包辦了全專譜曲創作，並邀請到老搭檔，同時也是金曲保證的葛大為、小寒、周耀輝加上蔡健雅自己為整張專輯歌曲填詞，為了讓創作人更能了解歌曲的背後意涵，她親自跟每位作詞人溝通專輯主體跟創作理念，才得到了整張專輯如此完整契合的詞曲搭配。 值得一提的是，這是蔡健雅首次包攬了整張專輯的譜曲、編曲、木吉他彈奏及在自宅錄音室完成所有錄音，而她這次選擇捨棄便利的電腦人工技術，回歸到音樂本質上的音色體現，將樂器本應有的原樣如實呈現，也因為如此，專輯內除了他人作詞的作品無法與demo共用外，絕大部分歌曲歌詞、編曲、曲調皆是當初蔡健雅創作的demo原始保留，甚至人聲都是保留至最後成品中，更顯蔡健雅音樂創作地位的不可取代性。除此之外，蔡健雅更與金獎配樂大師Ricky Ho合作，對於這位曾經憑藉「賽德克・巴萊」獲得金馬獎最佳原創電影音樂及金曲獎最佳專輯製作人獎的大師，蔡健雅與他在音樂上有著相當巧妙的美感默契，也因為他的加入，讓整張專輯的畫面感與藝術性昇華到不同以往的殿堂級高度。 《DEPART》這張專輯對於蔡健雅來說，更像是往內出走，喚醒內心重回初衷的自我探索，也讓所有聽者能夠藉由載體穿越到重返初始的蔡健雅。 蔡健雅 全新專輯 《DEPART》 7/23 開始預購 8/13正式發行

On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the traditions of Mongolian song. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life. She’s accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass. Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.

冰冷有力的贝斯节奏之下，冷静又极具穿透力的人声联合往复的吉他噪音将思绪带入仍有阵阵余热的回忆之中，从容以后，又尽是迷惘和焦虑。 《影子的最后变化》是如梦的第一张录音室专辑。如梦在二零一八年三月开始创作与现场演出，现成员为肖宇、陈源驰、姜红朗、杨凌枫。负责演奏吉他的是陈源驰和肖宇，肖宇同时也负责唱歌，演奏低音吉他的是姜红朗，杨凌枫演奏鼓组。《影子的最后变化》所有曲目选自如梦于二零一八年十月到二零二一年一月创作的九首歌曲，全部词曲由如梦共同创作，所有编曲由如梦共同完成。二零二一年一月在 Psychic Kong 录音室录制，制作人是杨海崧。专辑封面由安迪拍摄，内页插图由291拍摄，装祯设计由291完成。

小老虎：“这张专辑的起因，确实是因为，去年三月在日本，我已经滞留了两个多月，终于游山玩水到了极限，呆在房间里，外面的饭馆已经对我大门紧闭。我发现我有两个星期没有跟一个有共同语言的人说过话了。就在有一天我面对着，也是客厅，也是厨房，中间的那张桌子发呆，突然有点要窒息的时候，我打开了地下广播的那一期心愈频率，真的感觉好了一点。” 周士爵：“然后老虎打来电话说，咱们做一张专辑啊。” 小老虎：“我们在生活里说的胡话已经够多了，也许在这里依然说了很多，但是，有几句，是想认真地说给你听的。不是药，也不是一道闪电，更不是睡觉前的台灯照亮着你的脸。只是，真的想，让你舒畅。总之，希望这是你浑身难受时的一只小手，能够挠住你的痒痒肉。” 心愈频率，是地下广播的一个mix系列，分享一些“即远方又日常的音乐”，目的是，“希望在一颗心痊愈或心力复原的过程中，起到一点点积极的作用。” 这张专辑也希望给听到的朋友分享一个舒服的氛围，一点轻松的会心一笑，进入“心愈频率”。 经过一段时间的筛选，专辑的整体概念和采样就这样定了下来，小老虎也是福周士爵，三位音乐国老友一拍即合。 Hip-Hop是一种以采样为基础的音乐，新的风格和尝试往往在于使用了某种不常被集中借助的音乐类型。这几年倾心于Ambient和New Age，自然而然产生了整张专辑着重采样这两种音乐的念头。这在Hip-Hop历史上，若非仅见，亦极罕见。也是福对这些“颜料”的巧妙运用，在音乐性和原创性上，不难使人眼前一亮。 小老虎的和周士爵的声音融进了音乐， 酷暑的下午 我倒着走路 用一整瓶朗姆 浇一棵枯树 整个上午我都在床上盼望 在云上浪费时光 站在鸟的背上 《和你说我》 人啊，你深渊的底 到底在哪里 谁，也测不出来 所以才无奈 可这旋律刚一响起，眼睛就落下了雨 想钻到你怀里去，哭它一个痛快 女人啊 怎可以 回回 受到伤害 却仍能 一次次地化为绷带 把那些愚蠢的男人的骄傲 造成的每个伤口 悄悄 包扎起来 《女人啊》 找一颗心 把双眼合上 余生何处 安放 找一颗心合唱 我心里 情不 自禁 暗暗设想 天堂 应该就是 唱片 图书馆的模样 《找一颗心》 早上到晚上 一直大排档 大口喝夕阳 我们一起决定 云彩的形状 来一些夸下海口 来一些飞禽走兽 管它是不是直立行走 来一些温柔 《来一些温柔吧》 心中的恨只是对自己的酷刑 我们的生命被我们所爱的塑形 懒散熄灭了你生活的热情 没什么能从空虚中苏醒 《悲极生乐》 欲知这些文字的听觉样貌， 敬请收听。