Reissue of the British debut by the hit British Invasion act& in mono sound as the band originally intended. It features the cover art from when Decca first released the record in 1965, all 18 of the original cuts and four previously unreleased bonus tracks, alternate takes of 'Sticks And Stones' & 'It's Alright With Me', and demo versions of 'I Know She Will' & 'I'll Keep Trying'. 22 tracks total. 1999 release.

BRUIT \ˈbrü-ē\ [French, literally, noise] is a post-rock/modern classical quartet from Toulouse, France. Elusive Sound proudly presents the full digital release of “MONOLITH” by the post-rock/modern classical quartet BRUIT ≤ on October 7, 2018. Based in Toulouse, France, BRUIT \ˈbrü-ē\ [French, literally, noise] create incredibly expansive and emotive instrumental music of a conceptual nature, seamlessly merging ambient electronica, modern classical and instrumental rock. BRUIT’s synthetic sci-fi inspired ambiance of sound effects, soaring synths and deep bass tones reminiscent of film noir inspired dystopian fantasies, is organically enhanced by the ever present etherealism of their classical instrumentation and arrangements in spellbinding emotion-filledmelodies that climax in roaring drone driven post-rock. Life may be elsewhere, at another rhythm, a different scale, and you have forgotten it. Your body hosts a microscopic and elusive world that dies and is reborn every second. It is swarming with particles that will be the cause of your life and your death. It will be your first vertigo, The bloom. Then you look to the sky and realise that this inner world floats in a universe in which the human mind cannot comprehend borders and where you are no more significant than a grain of sand. Energy of unimaginable power has been developing for billions of years and it is also responsible for your life and death. It will be your second vertigo and with it you will fall. So who are you? Between the infinitely small and the incredibly large. Is your little daily problem still meaningless? Sit down by the vestiges of the monolith erected by your ancestors and take the time to think. Ask new questions rather than repeating old answers. – BRUIT ≤ All music composed by Clément Libes, Théophile Antolinos, Damien Gouzou and Matthieu Mullet. Recorded, mixed and produced by Clément Libes at "La Tanière" Mastered by Alexis Bardinet at Globe Audio Mastering Art by: Sebastien Blanchot Artwork editing and logo by: Mehdi Thiriot Published by: Warner Chappel Released by: Elusive Sound On this recording BRUIT are: Clément Libes (bass, violin, synths) Damien Gouzou (drums, percussion) Théophile Antolinos (guitar) Luc Blanchot (cello)

《木马》这张专辑中收集了8首歌曲。有犹豫、低处生活、沙地行走、没有声音的房间、纯洁、舞步、穿行、没有错过时间，每一首都是脍炙人口、经典动听的。

刺猬从来没有一张如此迷幻得美妙的专辑，即使在那张好评如潮的专辑《白日梦蓝》里，我们也找不到《幻象波普星》里那些似乎从天外飘来的美妙的音色。曾经的刺猬解构雕磨了年轻人对青春的困惑和疑虑，如今的刺猬虽已不再也无需再歌颂青春，但他们依旧抱有幻想———崇尚简单音乐的幻想、旋律化心灵颂歌的幻想。 如今，他们将这些幻想化作一张唱片呈现到世人耳前，就像他们自己对新专辑的描述一样：“这是一次美好声音的简洁幻想，这是一辆直达温暖的心灵慢车 ” 所有词曲：子健 编曲：刺猬 除，《梦幻想》 词：子健 曲：阿童木 《徙鸟》 曲：子健、何一帆、阿童木 刺猬 吉他/唱：子健 贝斯：何一帆 鼓/打击乐/唱：阿童木 《星光》、《画》、《暖浪拂心田》 大提琴：阳仔（浪乐队） 录音：李平 （北京忙蜂录音棚） 混音：李平 混音：刘峰铄（《梦幻想》、《徙鸟》） 母带处理：Tom Coyne (Sterling Sound, NYC) 制作：刺猬 图片摄影：大洁 平面设计：子健 歌词翻译：大洁、Dan 乐队感谢： 父母、朋友 2014.04 中国，北京 All songs written by ZO Music by HEDGEHOG except “Phantom Think” written by Atom “Migrating Birds” written by ZO/Atom/Fun All lyrics by ZO HEDGEHOG Guitar/Vocal:ZO Bass:Fun Drum/Vocal:Atom “Star Shine”, “Paintings”, “Warm Waves, Warm Your Heart” Cello: YangZai (Lone) Recorded&Mixed by LiPing (Busy Bee Studio, BEIJING) “DDDreaMMM”,”Migrating Birds” mixed by LiuFengShuo Mastered by Sterling Sound, USA Produced by HEDGEHOG Photograph by Jsnakelet Designed by RockZO Translate by Dan Special Thanks to: Parents, Friends 2014.04 BEIJING, CHINA 中国科学文化音像出版社有限公司 CSCCD-2856 ISBN978-7-7986-3351-1 ©&℗ (2014) 北京摩登天空文化发展有限公司. The copyright in this sound recording is owned by Modern Sky Entertainment Co, Ltd All rights reserved. Unauthorized duplication is a violation of applicable laws. 本作品声明著作权保护，未经授权，不得使用（包括不得使用其制作影像及录音制品），违者必究。 modernsky.com 刺猬乐队官方网站：hedgehogrock.com

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Limited edition repress of their 1989 collection, which combines the two EPs (1987's 'Strawberry Wine' & 'Ecstasy') that came before the 1988 album, 'Isn't Anything'. 10 tracks. Lazy Records. 2003.

Just a month after The War On Drugs’ ‘A Deeper Understanding’ received the 2018 Grammy for Best Rock Album, the core of Granduciel, bassist Dave Hartley, and multi-instrumentalist Anthony LaMarca retreated to upstate New York to jam and cut new demos, working outside of the predetermined roles each member plays in the live setting. These sessions proved highly productive, turning out early versions of some of the most immediate songs on ‘I Don’t Live Here Anymore’. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock’s greatest sonic workshops like Electric Lady in New York and Los Angeles’ Sound City. Band leader Adam Granduciel and trusted co-producer/engineer Shawn Everett spent untold hours peeling back every piece of these songs and rebuilding them. One of the most memorable sessions occurred in May 2019 at Electro-Vox, in which the band’s entire line-up — rounded out by keyboardist Robbie Bennett, drummer Charlie Hall, and saxophonist Jon Natchez — convened to record the affecting album opener “Living Proof.” Typically, Granduciel assembles The War On Drugs records from reams of overdubs, like a kind of rock ‘n’ roll jigsaw puzzle. But for “Living Proof,” the track came together in real time, as the musicians drew on their chemistry as a live unit to summon some extemporaneous magic. The immediacy of the performance was appropriate for one of the most personal songs Granduciel has ever written. The War On Drugs’ particular combination of intricacy and imagination animates the 10 songs of ‘I Don’t Live Here Anymore’, buttressing the feelings of Granduciel’s personal odyssey. It’s an expression of rock ’n’ roll’s power to translate our own experience into songs we can share and words that direct our gaze toward the possibility of what is to come.

Tyler, the Creator has announced Cherry Bomb, his third album and the follow-up to 2013's Wolf. It'll be out in five days, and is currently available for pre-ordering over at iTunes; that's the artwork above. The announcement arrives alongside the launch of Tyler's Golf Media app, which can be downloaded now and features original content and music curated by the Odd Future leader. Fans who pre-order the album can download two tracks from the album, "DEATHCAMP" and "F***ING YOUNG/PERFECT". Complex reports that the the album's eleventh track features Kanye West and Lil Wayne.

CALL ME IF YOU GET LOST is the seventh studio album by Tyler, The Creator. The album was first teased by a tag on Tyler’s trunk that accompanied him at the 2020 Grammy Awards. But, it was not teased as an album until a billboard was found in Los Angeles, California that read “CALL ME IF YOU GET LOST” along with the phone number “1 (855) 444-8888”. When a recipient calls the number audio of a phone call with Tyler and his mother Louisa plays with a distant instrumental in the background. There has also been a discovery of a website relating to the billboard. Over the next few days, when recipients called the number, new snippets of various tracks were released. On June 16, 2021, the album’s first single, “LUMBERJACK”, was released with contributions from DJ Drama and a music video. On June 17, 2021, Tyler officially confirmed the release date and title of the album.

"AFTER LAUGHTER" was recorded at Nashville's historic RCA Studio B - Paramore's first time recording in their own beloved hometown. The album is produced by Justin Meldal-Johnsen and Paramore's own Taylor York. "AFTER LAUGHTER" also marks the return of original member Zac Farro back to the band.

bandcamp上所有砖免费下崽

民谣风的主旋律，背后铺排着层层迭迭的迷离吉他音墙，点缀着迷离的嗡嗡幻音，深沈的鼓点稳重的落在每个节拍，搭配曾轶可辨识度高的嗓音，交错形成特殊的音乐氛围，一种英式的迷幻情调，却又弥漫着年少最真诚可爱的情感，就是充满让人忍不住反复聆听的曾轶可魔力。这些属于少女的、属于幻想的每一个心情纪录，用最孩子气的真实心情，悄悄打动了无数个已经听腻陈腔滥调的心。

Emerging from the distant light we have a new double LP from our own John Dwyer's Thee Oh Sees. The first studio recordings to capture the muscular rhythm section of double drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines, the groove and bludgeon we've come to expect from the live shows is captured seamlessly here - they go from zero to head-splitter from the get-go and on the rare occasions they do let up on the gas a bit, we're treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke soaked things crawl behind the scenes to make an extra far-out party platter. Served on 45 rpm plates for most excellent listening quality. With amazing visuals and a side D etching by air-brush-van-art maestro Robert Beatty…and packed in vape-proof goat skin. It’s a beast and it can be yours should you choose come August 12th.....come on now.

Thee Oh Sees的多产大家已经是有目共睹了，去年刚发行了超囧封面+超高评价的专辑《Putrifiers II》，马上一张名为《Floating Coffin》的专辑紧随其后。 这张专辑将会在今年4月通过成员John Dwyer的Castle Face Records发行，这几个怪人再次用令人瞠目的惊悚封面刷新我们乐迷们的底线了。 谈到新专辑的风格，Dwyer说“这些歌的场景设定在战火纷飞的时代，总的来说非常黑暗，也比我们之前的专辑更加重。” 另外，Thee Oh Sees也将首度来到中国，参加2013年《觉》音乐+艺术节的预热演出。 旧金山迷幻车库乐队Thee Oh Sees中国巡演 【北京】 日期：2013年2月21日，周四 时间：21:00 场地：MAO Livehouse 地址：北京东城区鼓楼东大街111号 嘉宾：The Planets 票价：60元（学生）/ 80元（现场） 【上海】 日期：2013年2月22日，周五 时间：21:00 场地：390 Live 地址：长宁区番禺路390号，近法华镇路 嘉宾：Pairs和花搅乐队 票价：60元（学生）/ 80元（现场）