Dans une ville théâtre d'une vague de disparitions soudaines et inexpliquées, Teresa est libraire spécialisée en fantastique, occultisme, horreur. Une de ses clientes régulières est Matilde, jeune fille timide habillée comme une otaku. Une nuit, dans la forêt, Teresa lance une incantation trouvée dans un livre et fait apparaître Laura, une démone dont le pouvoir est de réaliser le voeu de qui l'a appelée. Mais Teresa ne sait pas quoi demander ! Or, Laura ne peut repartir sans réaliser sa mission. Commence alors une cohabitation des plus étranges, souvent drôle, toujours décalée...

In 1975 Nina Bunjevac's mother fled her marriage and her adopted country of Canada and took Nina back to Yugoslavia to live with their grandparents. Peter, her husband, was a fanatical Serbian nationalist who had been forced to leave his country at the end of World War II and migrate to Canada. But even there he continued his activities, joining a terrorist group that planned to set off bombs at the homes of Tito sympathisers and at Yugoslav missions in Canada and the USA. Then in 1977, while his family were still in Yugoslavia, a telegram arrives to say that a bomb has gone off prematurely and Peter and two of his comrades have been killed. Nina Bunjevac tells her family's story in superb black-and-white artwork. Fatherland will be recognized as a masterpiece of non-fiction comics, worthy to stand beside Persepolis and Palestine.

在线阅读本书 Maira Kalman paints her highly personal worldview in an inimitable combination of image and text. The Principles of Uncertainty is an irresistible invitation to experience life through the psyche of Maira Kalman, one of this country's most beloved artists. The result is a book that is part personal narrative, part documentary, part travelogue, part chapbook, and all Kalman. Her brilliant, whimsical paintings, ideas, and images-which initially appear random-ultimately form an intricately interconnected worldview, an idiosyncratic inner monologue. Kalman contends with some existential questions-What is identity? What is happiness? Why do we fight wars? And then, of course, death, love, and candy (not necessarily in that order). The tremendous success of Kalman's 2005 illustrated edition of Strunk and White's The Elements of Style established her as an original, inspirational voice, and the quirky, hilarious, heartbreaking style of The Principles of Uncertainty reveals Maira Kalman for what she truly is: a national treasure.

风靡欧美的动漫画工作坊经典教科书，已被译为十几种语言在世界各地出版 作者马特·马登因漫画创作成就被法国政府授予文学艺术骑士勋章 国内读者期待多年，漫画版《风格练习》简体中文版首度公开 . 汉化经典原版设计，呈现讲述同一个故事的99种灵感 动漫画作者、广告文案、影视编剧、故事写作者必备的案头书 由《小说机杼》《破格：论文学与信仰》译者黄远帆翻译 英文版在豆瓣有近500人标记，评分9.0 . 这是知名漫画家马特•马登基于雷蒙•格诺的名作《风格练习》创作的漫画，以99种不同的漫画风格或形式讲述同一个简单的故事。它开发了讲故事的诸多可能性，每一种风格都是一个独特的设定：多视角，视觉与语言戏仿，格式变换，对故事内容的彻底重组，等等。马登这些不可思议的讲故事的方法，将给面临困境的讲故事的人带来全新的思考，为他们拓宽风格的限度。阅读本书，将开启一趟充满哲思的故事世界之旅，富有趣味，暗藏惊喜。 . 《一个故事的99种讲法》由美国漫画界最具创造力的头脑之一创作，巧妙而富有趣味地探索了漫画创作的各个层面，带给人形式上的纯粹乐趣。 ——斯科特·麦克劳德（美国著名漫画家、漫画理论家） 愉悦迷人，令人信服。这是一部幽默杰作，欣赏起来就像是罗伯特·斯蒂文森、伊塔洛·卡尔维诺以及动作漫画的结合体。 ——哈里·马修斯（美国作家，第一位入选“乌力波”的美国人）

Part poignant cancer memoir and part humorous reflection on a motherless life, this debut graphic novel is extraordinarily comforting and engaging. From before her mother's first oncology appointment through the stages of her cancer to the funeral, sitting shiva, and afterward, when she must try to make sense of her life as a motherless daughter, Tyler Feder tells her story in this graphic novel that is full of piercing--but also often funny--details. She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom's closet, ending old traditions and starting new ones, and the sting of having the "I've got to tell Mom about this" instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

Qui es-tu, Tian Fushi ? Un artiste incompris de l'industrie du manga, un citoyen dépravé de la Chine pornographique, un jeune gay égaré dans un monde ultraviolent, un garçon perdu de Peter Pan ? Comment vas-tu rassembler les morceaux fragmentés de toi pour découvrir qui tu es vraiment ? Queer : étrange, qui ne rentre pas dans les cases ; c'est assurément le cas de ce roman graphique. Portrait acide d'une jeunesse chinoise en recherche d'amour et de sens, Chinese Queer et une quête identitaire moderne intime et saisissante.

Dans la plus belle ville du plus beau pays, princes et princesses d'Europe sont en quête d'émerveillement, de salut et de gloire. Les néons de Brecht Evens se fondent dans les illusions de ses héros. Ils sont dans la fleur de l'âge... et c'est une nuit d'été.

《雪山、青春与我》是让-马克·罗切特的自传式图像小说，他以自身经历为背景，描绘了一位山间少年跌宕起伏的人生之旅。 少年罗切特从小与母亲相依为命，一次山间徒步经历，开启了他漫长的登山旅程。他自始至终只有一个念头，就是向上攀登，登上山顶。 在征服一座座山峰的道路上，他经历过痛苦的时刻，也收获过空*前的愉悦。随着时间流逝，志同道合的朋友们纷纷离开，只有他还在坚持，但接连的生死考验让他的内心也开始动摇。一次攀登时的意外重伤，让他终于放慢脚步，开始思考登山的真正意义。 在攀登的世界中，登山者靠的不仅仅是步伐，更需要果断抉择。而在名为“人生”的高山上，每个人都应该勇敢面对过往的挫折与未来的迷茫，做出忠于内心的选择。

En 1904, à Buenos Aires, dans le quartier d'Avellaneda, au moment où se négociait la construction du premier stade de football du club du Racing, naissait José Maria González, un futur grand joueur de ce club surnommé "llamarada", la flamme, à cause de sa chevelure qui lui donnait une allure de fusée quand il courait derrière le ballon. Il était aussi le grand-père du dessinateur argentin Jorge González qui se sert de cette trajectoire comme point de départ pour retracer une généalogie intime liée à la passion du football et transmise de pères en fils sur quatre générations. Dans la lignée de Bandonéon ou Chère Patagonie, sur près de 300 pages, l'artiste ouvre sa palette picturale pour raconter les répercussions des vocations au fil des générations en ancrant son récit dans l'histoire de son pays natal. La démarche autobiographique le conduit à explorer sa mémoire familiale, fouillant dans la matière des souvenirs racontés, transmis et vécus. Un héritage en flux et reflux comme l'océan qui sépare l'Argentine de l'artiste installé désormais en Espagne, qui questionne le legs des souvenirs dans l'horizon et l'avenir de ses propres fils.

1916. Un barco zarpa desde Italia y navega durante 40 días. En su interior cientos de europeos llegarán a Buenos Aires. Allí comienza la historia de Antonino y de su hijo Horacio. Vivirán el proceso social, político y cultural de cambio que la inmigración europea produjo en Argentina a principios del siglo XX. Fueye es conventillo, tango, soledad y extrañamiento de inmigrante. Obra ganadora del Primer Premio Internacional de Novela Gráfica

Il y a une quinzaine d'années, le Kosovo est devenu le théâtre d'une guerre civile, aux franges de l'Europe. Kosovar, Gani Jakupi a quitté son pays en proie au conflit. Écrivain, journaliste, jazzman, dessinateur et scénariste, il a vécu en France et en Espagne, avant de revenir au Kosovo après la fin des combats en 1999, pour retrouver sa famille et pour témoigner. À la fois proche et lointain, ce conflit a ravivé des doutes et des blessures qu'on croyait oubliés. Comment dire l'après ? Gani Jakupi explore les douloureuses questions qui se posent quand les armes se taisent et que la vie doit reprendre ses droits.

Killing and Dying is a stunning showcase of the possibilities of the graphic novel medium and a wry exploration of loss, creative ambition, identity, and family dynamics. With this work, Adrian Tomine (Shortcomings, Scenes from an Impending Marriage) reaffirms his place not only as one of the most significant creators of contemporary comics but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates here: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century. "Amber Sweet" shows the disastrous impact of mistaken identity in a hyper-connected world; "A Brief History of the Art Form Known as Hortisculpture" details the invention and destruction of a vital new art form in short comic strips; "Translated, from the Japanese" is a lush, full-color display of storytelling through still images; the title story, "Killing and Dying", centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life. Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying is a fraught, realist masterpiece.

Set in modern-day Tel Aviv, a young man, Koby Franco, receives an urgent phone call from a female soldier. Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself piecing together not only the last few months of his father's life but his entire identity. With thin, precise lines and luscious watercolors, Rutu Modan creates a portrait of modern Israel, a place where sudden death mingles with the slow dissolution of family ties. "Exit Wounds "is the North American graphic-novel debut from one of Israel's best-known cartoonists. Modan has received several awards in Israel and abroad, including the Best Illustrated Children's Book Award from the Israel Museum in Jerusalem four times and Young Artist of the Year by the Israel Ministry of Culture. She is a chosen artist of the Israel Cultural Excellence Foundation.

这是一本难得的漫画，短短篇幅，却专注并完整的诉说了一个充满人文关怀的故事，时间的浓缩有致，人物角色也立体，让你很容易便走进他们的世界。杨学德有着敏感的色彩语言，细致地将所有空隙都填埋了色彩，一读再读，让人回味无穷。 《我在屋邨长大》是杨学德的第一部个人作品集。就像许许多多作者的处女作一样，它迸发出作者有生以来积聚的所有爆炸力，倾力一泄，无可收复。只是一场色彩的、技艺的、记忆力的、黑色幽默的不计后果的赌注，展现出像你像我的蚁民的无可选择的生活下的无力感，以及惊人的生命力。

※用特写镜头看，人生就是一场悲剧；而换上了长镜头，它又是一部喜剧了！ ※有料有趣的漫画讲师，低调神奇的独立漫画家anusman最新作品！ ❤限量附赠【如何画门先生•小豆本】❤【门先生• 一笔笺】 ※※※Mr. Door ※※※ 门先生是个生活在大城市的小市民，他朴实真诚 、稍有点小心眼，不去争取什么可比较的东西。他挤地铁、逛公园、去买菜、温酒、吃蟹、骑共享单车、回老家过年、听朋友讨论房价、听父母唠叨前程、还不忘关心弱势群体……尽管在这个变化的时代有很多格格不入的地方，但安静地活在自己的世界里。 ※※※Mr. Door ※※※ 漫画或许是门艺术，同其他典雅神秘的艺术不同，它更踏实，也更讲求方法，但它又不失个人情感。漫画家可以一个人守护它，从建构到成书，这多像一个孩子。现在漫画面临的一个大问题是纸媒或许会渐渐淡出，漫画要从很多根源上改变那些需要保留的和即将遗失的宝贵细节。或许我们该了解一个漫画，看看它究竟的样子为何，以及现在为其努力的漫画家都做了什么。 ——王烁 anusman 基于史观，设想一种未来视角，我们似乎能够将王烁anusman的绘画纳入到文人画的系统之中。 ——艺评人耿涵 匆匆忙忙的日子里，何以宽慰劳顿的你？

Abstract comics? Don't all comics tell stories? How can a comic be abstract? Well, as it happens, beginning with the experiments of Saul Steinberg, through some of the more psychedelic creations of R. Crumb and Victor Moscoso, and with increasing frequency in recent years, cartoonists and other artists have played with the possibility of comics whose panels contain little to no representational imagery, and which tell no stories other than those that result from the transformation and interaction of shapes across the layout of a comic page. Reduced to the most basic elements of comics - the panel grid, brushstrokes, and sometimes colors - abstract comics highlight the formal mechanisms that underlie all comics, such as the graphic dynamism that leads the eye (and the mind) from panel to panel or the aesthetically rich interplay between sequentiality and page layout. Abstract Comics, edited by Andrei Molotiu, an art historian as well as one of the best-known contemporary abstract-comic creators, is the first collection devoted to this budding genre. It gathers the best abstract comics so far created, including early experiments in the form by cartoonists primarily known for other types of comics, such as Gary Panter, Patrick McDonnell, or Lewis Trondheim, and pieces by little-known pioneers such as Benoit Joly, Bill Boichel and Jeff Zenick, as well as by recent creators who have devoted a good part of their output to perfecting the form, such as Ibn al Rabin, Billy Mavreas, Mark Staff Brandl, and many others. It also features first attempts, commissioned specifically for this anthology, by well-known cartoonists such as James Kochalka, J.R. Williams and Warren Craghead. Comprehensive in scope, Abstract Comics gathers work not only from North America, but also from France, Switzerland, Great Britain, Australia, and New Zealand, showing the rise in popularity of the genre to be a true international phenomenon. In the process, the anthology highlights the wide variety of approaches taken to the combination of abstraction and sequential art-approaches resulting in work that is not only graphically bold, but also often proves to be surprisingly humorous or emotionally disturbing. Complete list of contributors (in order of appearance): R. Crumb, Victor Moscoso, Spyros Horemis, Jeff Zenick, Bill Shut, Patrick McDonnell, Mark Badger, Benoit Joly, Bill Boichel, Gary Panter, Damien Jay, Ibn al Rabin, Lewis Trondheim, Andy Bleck, Mark Staff Brandl, Andrei Molotiu, Anders Pearson, Derik Badman, Grant Thomas, Casey Camp, Henrik Rehr, James Kochalka, John Hankiewicz, Mike Getsiv, J.R. Williams, Blaise Larmee, Warren Craghead III, Janusz Jaworski, Richard Hahn, Geoff Grogan, Panayiotis Terzis, Mark Gonyea, Greg Shaw, Alexey Sokolin, Jason Overby, Bruno Schaub, Draw, Jason T. Miles, Elijah Brubaker, Noah Berlatsky, Tim Gaze, troylloyd, Billy Mavreas.