除夕，乡下的伯伯一家来城里团聚了，一大家人其乐融融地聚在一起过大年，剪窗花、写春联、挂灯笼……
大家还聊起了年，孩子们问道：“什么是年啊？”爷爷奶奶、爸爸妈妈都给了同一个吓人的答案：年是一个可怕的大怪兽！
年兽真的这么可怕吗？
这时，门口传来敲门声，咚咚咚！是谁在敲门？
你能猜到吗？门外居然是一只哭哭啼啼的小年兽！
大家会邀请小年兽进屋吃年夜饭吗？接下来又会发生什么意料之外的事情呢？快到故事里看一看吧！

本书内容是作者从10岁到24岁，即1980年至1994年间的生活记录。这期间，伊朗在伊斯兰革命之后建立了伊朗伊斯兰共和国，随后与邻国伊拉克打了八年战争，大量戴着天堂钥匙的年轻男孩被送到战场上。作者在1984年14岁时离开伊朗求学奥地利，此时两伊战争正酣。1988年作者回到伊朗，在一度消沉之后，通过国家考试进入大学，1994年毕业后再次离开伊朗。本书虽是作者十四年间的个人成长史或者说是私人生活小史，但透过一个儿童、以及一个离开祖国四年后又重回伊朗并在那里度过四年大学时光的年轻女孩的眼睛来观察伊朗，对于了解伊朗这个政教合一的意识形态国家还是别有一番启示。

2017.10.01权威更新：一版三次印刷中添加了中国国家博物馆原副馆长陈履生先生为本书撰写的序言，并附加了专属二维码，扫码即可观看黄永玉十二生肖展览视频。
自2006年开始，黄永玉先生为每年都创作14幅图文生肖作品，当中结合着文化掌故、历史典故、传说故事、社会问题的思考，也融入了黄老个人的生 命体验与艺术态度，12年共创作168幅，整整十二生肖一个圆满，幽默诙谐中不失诗意趣味，灵动鲜活中包孕生活智慧与哲理，同时也以黄老自己的 创新意识入画，契合现时代吉祥文化心理需求，以及民俗文化心理需求，很好地诠释了“生而肖似”的生肖文化理念。
传统生肖文化的现代阐释，一边是妙趣横生、活灵活现的生肖图景，一边是睿智机巧、饱含生命体验的文字反思，年逾九旬的黄永玉先生以其特有的“文与画”方式带您游走在幽默、讽刺、趣味、诗意之间，细细品味人生！

日本知名鳥巢專家與繪本畫家鈴木守
帶你仰視天空，聆聽候鳥的歸鄉心情。

　　一到春天和冬天，從南方飛來了好多好多的候鳥，
　　有綠頭鴨、黃雀、八色鳥、蜂鷹、夜鶯……
　　113種來自世界各地的鳥兒飛越又廣又大的天空，
　　走過數千、甚至數萬公里，就是為了到彼岸築巢、孵蛋和育雛。
　　為什麼牠們會堅持如此遙遠的飛行呢？
　　跟著候鳥們，一起來趟遷徙之旅！

本書特色

　　◆生命教育的引導：
　　帶領孩子從動物的故事來認識環境生態。候鳥為了生存不辭千里的奔波南北，途中也會遇到各種天敵，牠們依然不畏艱難地長途飛行。這些面對未知與困難的生存勇氣值得小讀者們學習。

　　◆環境保護的重要：
　　候鳥在飛行的過程中可能會遭遇獵殺，或是繁殖地或生存地的破壞，讓牠們無處可去。這些人類或有心或無意的行為，都更加嚴重的影響了動物的生活與生存。

　　◆動物知識的補充：
　　你知道候鳥斑頭雁的旅途中，會飛越世界最高的山嗎？透過牠們的故事，除了更加認識這些長途旅行的動物，也更加讚歎牠們生存的能力與勇氣。

　　◆無以比擬的壯闊圖畫：
　　鈴木守透過多幅仰角且充滿藝術價值的壯闊繪圖，讓讀者看見動物與自然的美；同時以美妙的文字，引導讀者充滿情意的來閱讀動物的故事。

震撼推薦

　　丁宗蘇（國立臺灣大學森林環境暨資源學系副教授）：
　　這本書更像是一本候鳥的百科全書……是一本大人與小孩都適合的繪本，透過逼真的繪圖與扼要的資訊，讓我們很快且深刻的了解鳥類長程遷移的艱辛與努力，以及這世界不同地區及鳥種的多元特色。我們的心，也跟著鳥兒飛揚起來了。

　　李貞慧（繪本教學推廣教師）：
　　各式各樣的候鳥既不用看地圖、也不用GPS導航系統，就能遠渡重洋飛回自己的出生地築巢、產卵、養育雛鳥，這是多麼令人驚異的能力啊。……推薦這本不只是候鳥知識圖鑑、而是傳達更深層生命價值與生命關懷的繪本給大家。

《野鸟会躲藏》是广西师大出版社魔法象图画书王国推出的作品之一。
哪些野鸟会躲藏？ 躲在哪儿？怎么藏？野鸟为什么要藏？
从事野外鸟类观察，作者何华仁常会因为一群擅长躲藏的鸟，发现意想不到的惊喜。这些野鸟在自然环境中神出鬼没，施展各种躲藏本事，宛如戏法精湛、本事高超的魔法师。然而事实上，这些绚烂的躲藏技巧是它们与生俱来的基本生存之道。
本书作者为知名版画家，长期从事鸟类观察以及野鸟图画书创作。本书收录了14种拥有独特躲藏技巧的台湾野鸟。通过简洁、诗意的文字以及活泼可爱的图画，清楚地呈现出了野鸟与周遭环境的关系，让孩子可以在快乐的阅读中了解野鸟用什么方式躲藏，又会藏身在怎么样的环境。

编辑推荐
【吉卜力官方唯一简体中文版，宫崎骏殿堂级作品首次引进中国。】
【《千与千寻》上映20周年特别纪念】
★全球唯一同时获得奥斯卡金像奖与柏林金熊奖的动画电影。征服全世界近50个国家的观众，荣获30多项大奖。创造日本影史神话，票房冠军保持19年。
★深受中国观众的热 爱，豆瓣电影No.7，动画电影排名第1，豆瓣网友超过184万人打出9.4高分。引进中国时，井柏然、周冬雨、彭昱畅、田壮壮等一众明星、名人动情演绎。
★迪士尼和皮克斯首席创意官、《玩具总动员》系列导演约翰拉塞特，《大护法》导演不思凡，马未都、许知远、蔡康永、迪丽热巴等名人推荐的动画作品。
★征服全球媒体，《人民日报》、《纽约时报》、《洛杉矶时报》、《纽约邮报》、《好莱坞报道》、《金融时报》、《Time out LONDON》、《BBC文化专栏》等众多媒体盛赞，“毫无疑问：这是一部传奇作品”。
★吉卜力工作室指定颜色校准，专业色彩还原，精美双封。重现电影经典画面，再次体会千寻、白龙、无脸男等让人印象深刻的角色的动人故事。
★吉卜力官方指定译本。《窗边的小豆豆》的译者赵玉皎担当翻译，吉卜力官方亲自监修译文。
★其实我们每个人都是千寻，勇敢地走向自己独一无二的人生。跨越二十年历久弥新的故事，重温真心与感动。
【内容简介】
《千与千寻》是宫崎骏殿堂级作品，全球唯一同时获得奥斯卡金像奖与柏林金熊奖的动画电影，吉卜力官方首次授权简体中文版。
10岁的千寻与爸爸妈妈一起前往新家。在郊外的小路上，他们意外地进入了一个神秘小镇。千寻的爸爸妈妈因为吃了这里的东西变成了猪。千寻则在少年白龙的帮助下，进入一个叫“油屋”的地方工作。白龙告诉她，这里的人都会被汤婆婆夺去名字，而没有工作的人会变成动物。千寻一边应付油屋的工作，一边寻找解救爸爸妈妈的方法。在这里，她不仅遇到了面硬心软的锅炉爷爷，还有善良热情的小玲，更意外地认识了孤独沉默的无脸男。千寻经历了许多不可思议的事情，逐渐变得勇敢坚强，内心也变得越发坚定。
一次，千寻发现白龙被一群白色人形纸片打伤，为了救白龙，千寻、无脸男等踏上了前往沼底的电车……

★ 法国国宝级漫画家桑贝代表作，一点巴黎，一点浪漫，一点悠然，一点逃离
★ 巴黎的魅力在咖啡馆，在塞纳河畔，在无名小巷，在普通人的生活中。
假设你生活在《一点巴黎》，你会……
在街上驻足片刻，凑热闹看看交通事故，随人流在绿灯变之前跑步穿过马路，巧妙地避开遛狗的路人，拐进小巷，和晒太阳的老妇问好，抬头一看，两个邻居隔着栏杆在兴高采烈聊天，接着穿过塞纳河上的桥，瞥见从商场满载而归的贵妇，走进熙熙攘攘的咖啡馆，偶遇正模仿波伏娃写信的女孩。
桑贝用温柔、幽默的画笔勾勒出巴黎人的百幅生活图景，让人于点点细节中体味巴黎的无穷魅力。

桑贝是谁？他是人文传统深厚的欧洲绘本的代表画家。他是法国国宝级的漫画大师。几米把桑贝奉为偶像。桑贝迷遍布全世界。他的20多部作品被译成多种文字，在几十个国家流传。
《一点法国》中的黑黢长夜，浓烟一样笼罩。多心的人会害怕，快乐的人在飞驰。明亮暖和的家，是人的希望和绝望的峡谷。我们总是从那里出发，再回到那里集合。桑贝对世界最大的贡献，是提供了一双桑贝的眼睛。

Winner of the Kate Greenaway Medal
Mr Gumpy is joined on a trip down the river by two children, the rabbit, the cat, and the pig. Soon everyone’s having such a good time that the boat starts to rock…

The bestselling picture book We're Going on a Bear Hunt is now available as a board book. Sure to win new fans among the very youngest readers, this tale of a brave family's joyous romp through sweeping landscapes is the perfect addition to this classic board book series. Full color.

在线阅读本书
The game under the tree looked like a hundred others Peters and Judy had at home. But they were bored and restless and, looking for something interesting to do, thought they'd give Jumanji a try. Little did they know when they unfolded its ordinary-looking playing board that they were about to be plunged into the most exciting and bizare adventure of their lives.
In his second book for children, Chris Van Allsburg again explores the ever-shifting line between fantasy and reality with this story about a game that comes startingly to life.
His marvelous drawings beautifully convey a mix of the everyday and the extraordinary, as a quiet house is taken over by an exotic jungle.

你在人群中曾经想要把自己藏起来吗？
小烙饼章鱼毛毛不喜欢引人注目，看起来也一点都不显眼，除非你很认真的找寻他，不然你可能也不会发现他不见了。但是害羞的人，却总是能够发现彼此的存在。
这是一个关于内向小章鱼如何在鱼群中自处的小故事，探讨了害羞和友谊的主题。缤纷精致的插图及可爱的故事，能引起初到陌生环境的孩子的共鸣，给予他们鼓励与信心。

如今人们对于花的理解，多来自西方，比如情人节要送玫瑰，母亲节要送康乃馨。用这些含义代入情景去理解中国古人关于花的认知，会非常奇怪甚至荒谬。古人对花的观察力和想象力远远比现代人丰富细腻。比如剪春罗、晚香玉，光听到这些名字，就让人赏心悦目；又如蜀葵始终向阳，还能卫足，所以象征忠诚。
历时两年多，作者翻阅大量古代文献资料，参考古籍对花的阐释，在“中国古笺谱最后的辉煌”——《百花诗笺谱》中选取九十种花，辅以关于花的诗词，弥补其有花而无诗、不能将花的名字和寓意逐一道出的遗憾，从而了解古人的花语评定，带读者找寻属于它们的文化故事。
本书插图花朵图案张力大，花色潋滟多姿，构图巧妙，伸展富于变化。全书图文并茂，能让读者欣赏到百年前《百花诗笺谱》木版水印的美，让这枚沧海遗珠被更多人看见；让读者借助中国花语，了解每种花在中国传统文化中的含义，对于古人审美和生活情怀有一些深度认知。以花为切入点，让读者对古代历史典故、名人逸事和文化品格洞悉一二。

A mother's advice to her daughter--a guide to daily living, both practical and sublime--with full-color illustrations throughout.

One sleepless night while she was in her early twenties, illustrator/writer Hallie Bateman had a painful realization: her mom would die, and after she died she would be gone. The prospect was devastating, and also scary--how would she navigate the world without the person who gave her life? She thought about all the motherly advice she would miss--advice that could help her through the challenges to come, including the ordeal of losing a parent.

The next day, Hallie asked her mother, writer Suzy Hopkins, to record step-by-step instructions for her to follow in the event of her mom's death. The list began: "Pour yourself a stiff glass of whiskey and make some fajitas" and continued from there, walking Hallie through the days, months, and years of life after loss, with motherly guidance and support, addressing issues great and small--from choosing a life partner to baking a quiche. The project became a way for mother and daughter to connect with humor, openness, and gratitude. It led to this book.

Combining Suzy's wit and heartfelt advice with Hallie's quirky and colorful style, What to Do When I'm Gone is the illustrated instruction manual for getting through life without one's mom. It's also a poignant look at loss, love, and taking things one moment at a time. By turns whimsical, funny, touching, and above all pragmatic, it will leave readers laughing and teary-eyed. And it will spur conversations that enrich family members' understanding of one another.

From School Library Journal
PreS-K—Employing a rainbow of tones, a young girl tries to help her multihued friend understand why he is "feeling all mixed up." The unnamed child distinguishes five emotions (happiness, anger, sadness, fear, and calm) and articulates what each one might feel like by equating it with a color. A smiling golden monster on a spread featuring yellow leaves and cutouts represents happiness, describing it as "yellow like the sun." The text explains, "When you're happy you laugh, jump, dance and play. You want to share that feeling with everyone." Conversely, when blue, "you're sad you might want to cry or be alone." Most dramatically, a red monster jumps off the page and declares, "When you're angry, you want to stomp and roar and shout, 'It's not fair!'" Emotions are described in age-appropriate terms, and although calm is a bit tricky ("you breathe slowing and deeply. You feel at peace."), there's no question what the fellow bathed in green is feeling as he rests in a hammock, eyes closed with a smile on his face. A final emotion is left unnamed for readers or listeners to identify, but pink hearts give it away. A number of books, such as Molly Bang's When Sophie Gets Angry—Really, Really Angry (Scholastic, 2004), explore how a child deals with a particular emotion; Color Monster considers the range of feelings a child can experience. As with most pop-ups, durability is a question. VERDICT Less a story than a vehicle to initiate a reassuring conversation about emotions and how to identify them.—Daryl Grabarek, School Library Journal

Editorial Reviews
From Publishers Weekly
Starred Review. Tullet's brilliant creation proves that books need not lose out to electronic wizardry; his colorful dots perform every bit as engagingly as any on the screen of an iPad. "Ready?" the voiceover-style narration asks on the first page; it shows a yellow dot on a plain white background. "Press here and turn the page," it instructs. When the page is turned, there's a second yellow dot beside the first one. "Great!" it says. "Now press the yellow dot again." A third yellow dot appears beside the first two. "Perfect," the narrator continues. "Rub the dot on the left... gently." On the next page, voila!—that dot is now red. "Well done!" the book congratulates. The fun continues as the dots proliferate, travel around the page, grow and shrink in response to commands to clap, shake, or tilt the book, etc. The joy is in the tacit agreement between artist and reader that what's happening is magic. Shh! Don't tell. All ages. (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved.
Review
WALL STREET JOURNAL
\"Irresistible...A cross between a high-concept picture book and an iPhone, only more charming.\"
SHELF AWARENESS
\"This is one that will be passed around every classroom, every library and at every gathering of family and friends. Irresistible.\"--Shelf Awareness
SCHOOL LIBRARY JOURNAL, STARRED REVIEW
\"[S]pectacularly simple....And it s just plain fun. Tullet reminds readers that a child s imagination truly needs only the most basic of instruments to soar high and far.\"--School Library Journal, starred review
100SCOPENOTES.COM
\"Simple in appearance, genius in execution. An interactive book for interactive times, Press Here will please all comers. A must see.\"
PUBLISHERS WEEKLY, STARRED REVIEW
\"Tullet\'s brilliant creation proves that books need not lose out to electronic wizardry; his colorful dots perform every bit as engagingly as any on the screen of an iPad....The joy is in the tacit agreement between artist and reader that what\'s happening is magic. Shh! Don\'t tell.\"--Publishers Weekly, Starred Review
KIRKUS REVIEWS, STARRED REVIEW
\"Compared to the squawking sounds and flashing lights of many toys, Tullet\'s simplicity is a breath of fresh air....Children and parents keen to explore technological interactivity will delight in recalling the infinite possibilities of the picture book.\"--Kirkus Review, Starred Review
BOOKLIST
\"Without so much as a single tab to pull or flap to turn, this might be the most interactive picture book of the year.\"--Booklist
SAN FRANCISCO CHRONICLE
\"The iPad generation expects interactive. But books can play too...It\'s so much fun to pretend that things are actually changing on command. No computer needed! Kids (and adults) are delighted by their perceived power.\" -Susan Faust

An affecting exploration of the ways our roles as parents and children change over a lifetime

Paul at Home is Quebecois superstar Michel Rabagliati’s most personal book yet, a riveting, emotional, and frequently amusing take on the losses and loneliness of being closer to retirement than to university. Paul is in his mid-50s, a successful cartoonist with an achy shoulder living in a house he once shared with his wife and daughter. The backyard is unkempt, full of weeds. A swing set sits idle, slowly rusting beside a half-dead tree Paul planted with his then-five-year-old daughter. The room that belonged to his now-18-year-old daughter is mostly unused, especially once she decides to move overseas.

Left unspoken but lingering in the background is Paul’s divorce after a three decade relationship with his high school sweetheart. Amid all of this emotional turmoil, Paul visits his ailing mother in the final months of her life. Like Paul, she divorced in mid-life after a long marriage. She spent most of her remaining years alone or in unfulfilling relationships, which Paul implicitly fears might happen to him. Online dating only seems to make the world worse.

Rabagliati doesn’t shy away from these intimate issues, approaching them as much with self-deprecating humor as with sorrow or pain. Characterized by both a deep insight and a willingness to poke fun at life’s shortcomings, Paul at Home is a playful and poetic rumination on loss and the sometimes unsettling changes that come with middle age.