英译本
Norwegian Wood
Douban
★ 9.0 11 ratings
村上春树 translator: Jay Rubin publishing house: Vintage 2003
When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past. (20021018) 点击链接进入中文版: 挪威的森林
Read
June 7, 2018
看了英译本觉得这本书的语言真是平实到无以复加的程度,因为是村上本人钦定的所以姑且认定比较忠实原著的风格吧。不知道是不是外语的原因,这次觉得有很多细节以前没有注意到,很多地方好像比中译本说的要明确。从18岁到40岁,看了太多遍,原以为根本不用再看了,早就印在脑子里了。但是这次再读最大的感觉是终于从故事里跳出来了,可以从”外面“好好欣赏了。也正因为这样,对故事里的人物和命运好像又有了新的感悟。
jay·rubin 爱情 迷茫 英译本 死亡
The Wind-Up Bird Chronicle
Douban
村上春树 translator: Jay Rubin publishing house: Vintage 1999 - 4
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell. (20021018)
Kafka on the Shore
Douban
村上春树 publishing house: Vintage 2005 - 1
《村上春树:海边的卡夫卡》为英文版:The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen——it's page thirteen in Kafka On The Shore——the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply. Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world1s toughest fifteen-year-old." He finds a secluded private library in which to spend his days——continuing his impressive self-education——and is befriended by a transgendered clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.