对于Sigur Rós应该不用做过多的介绍了，冰岛大牌Sigur Rós的这张专辑《We Play Endlessly》也不是什么新专辑，是Q magazine和The Independent联合推出的一张选集，里面收录了以往3张专辑的9首歌曲，其中包括《Hoppípolla》和《Sæglópur》中广受欢迎的歌曲，专辑于1月31日在The Independent免费发售，现在好像不是免费了，如果你许久没有听Sigur Rós，可以重温一下这张选集，找回一些属于你的声音记忆。

“度化不开心”的神纳姆以独具匠心的美学诠释着贵州方言和地方文化的独到智慧，贵州话段子搭配融合了民乐元素的摇滚乐，抹开一派浓郁热烈的市井风情。虽然唱词里随处可见迷人的怪趣，时常让人忍俊不禁的神纳姆乐队对待音乐却是毫不“调歪”。对各种音乐形态的着迷，对地域文化的坚守、焕发，让他们不断尝试着全新的器乐编排，和不同风格之间的交流碰撞。他们用扎根泥土的生命力，延展着沟通世界的渴望，为我们描绘一幅另类的贵州风情画卷，在生命的张扬和音乐的融合之中，始终给予我们更纯粹的力量。

白鸽含着截然相反的意味：守信和爽约；鸽子在立即能完成的简单事，和可以拖延完成的复杂事之间，往往选择后者；鸽铃是白鸽飞翔的声音，当你听到它时，它很快就飞远了。

这张专辑是列侬solo生涯的一个转折点。从此，他削减了对音乐的艺术性探索，整体走向逐渐靠向当时的主流音乐形态。不少人批评他的"不思进取"，虽然这只是一家之言，但1973年到1975年的间的几张专辑确实未能带来太多的惊喜。在我看来，尽管专辑整体并不出彩，但第四首作品《One Day》，仍然是难得的经典之作。列侬再次展现了其妖邪诡异的唱腔，让人回想起披头士时期的《I'm The Walrus》。 《Mind Games》这首曲目作为列侬的标志性作品之一，原名为《Make Love Not War》，当年被认为是《Cold Turkey》的续章。这首作品曲风明快，琅琅上口，被后人翻唱至今。值得一提的是，专辑的第六首曲目名中，出现了一个前所未有的新单词"Nutopian"，在歌词册的内页部分，亦有一段关于此的宣言。这个单词的定义仍然为一种精神上的国度，类似于"Utopia"（乌托邦）。 有趣的是，《Nutopian International Anthem》作为"Nutopia"的国歌，只有短短几秒钟时间。

The Great Escape is the fourth studio album by the English rock band Blur, released on 11 September 1995 on Food and Virgin Records. The album reached number one on the UK Albums Chart and charted in the top 10 in more than ten countries around the world. Less than a year after the album was released, it was certified triple platinum in the UK

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was produced, arranged, and primarily composed by Brian Wilson with guest lyricist Tony Asher. Recorded largely between January and April 1966, it furthered the orchestral sound introduced in The Beach Boys Today! (1965). Initially promoted as "the most progressive pop album ever", Pet Sounds is recognized for its ambitious production, sophisticated harmonic structures, and coming of age themes. It is widely regarded as among the greatest and most influential albums in music history. Wilson viewed Pet Sounds as a solo album and attributed its inspiration partly to marijuana use and an LSD–rooted spiritual awakening. Galvanized by the work of his rivals, he aimed to create "the greatest rock album ever made", surpassing the Beatles' Rubber Soul and extending Phil Spector's Wall of Sound innovations. His orchestrations blended pop, jazz, exotica, classical, and avant-garde elements, combining rock instrumentation with layered vocal harmonies, found sounds, and instruments not normally associated with rock, such as French horn, flutes, Electro-Theremin, bass harmonica, bicycle bells, and string ensembles. Featuring the most complex and challenging instrumental and vocal parts of any Beach Boys album, it was their first in which studio musicians, such as the Wrecking Crew, largely replaced the band on their instruments, and the first time any group had departed from their usual small-ensemble pop/rock band format to create a full-length album that could not be replicated live.

云南后摇团“奇怪的日子”2010年沉寂三年之后全新力作。 这是距上一张ep《简体》之后时隔三年的另一种声音，或者说这张叫《昆明时间》的唱片是昆明后摇乐队“奇怪的日子”沉寂已久的爆发，如果说十年前“奇怪的日子”还在后朋克和实验音乐的过程中坚持自我，那么十年后的现在他们在摸索的过程中找到了更合适的一种方式去表达，抛弃了歌唱的旋律，他们用简单的调性的曲子将自己的生活状态呈现在听众面前。2007年成员变动之后的停歇，再到重新组队，那么2010年9月发行的新唱片，这群家伙用音乐告诉人们这就是“昆明时间”。 《昆明时间》整张唱片的五首曲子，简单规整，开篇的同名歌《昆明时间》用干净的旋律营造着一个个昆明街道的场景，车流，人群，文化巷，黄昏，川流不息的意象随着音符闪过脑海。而《最后的守望》铿锵有力的木吉他旋律重复这群人对音乐最后的寄望。之前在许多现场已经大获好评的《消逝》里的小提琴时而如歌如泣，时而叫嚣着划破寂静，巧妙的和后摇音乐融合起来。《无所事事的夜晚》基本上是记录着他们的生活的欢乐，让人一听就感到轻松的旋律，伴随着飘渺的音效将人的情绪带到最顶端。唱片的最后一首《向下就是天空》是唱片里唯一有歌词的曲子，或者说是一首长诗，奇怪的日子用音符和诗歌塑造出一个臆想中的场景，而在结尾，他们一遍又一遍的重复的最后一句话“道路虽被淹没，但向下就是天空”为整张唱片划上一个句号。 《昆明时间》是奇怪的日子在成长的岁月中自己的一份答卷，也许作为一张昆明本土的唱片，或多或少还欠缺着一点什么，但是在慢慢磨练的过程中，他们会越来越成熟和敏感，至少我们在这张唱片里面已经听出了一点端倪。 “道路虽被淹没，但向下就是天空”

The furious double LP “AL AZRAQAYN” documents KARKHANA (with members of KONSTRUKT, THE DWARFS OF EAST AGOUZA, LAND OF KUSH, PETER BRÖTZMANN CHICAGO TENTET, “A” TRIO) at their very best and intense: live on stage. Consisting of seven of the most adventurous and innovative artists from the Middle Eastern experimental scene (and a veteran jazz percussionist from Chicago), KARKHANA are surely among the most unique and interesting ensembles around. When MAURICE LOUCA (THE DWARFS OF EAST AGOUZA), SAM SHALABI (LAND OF KUSH, THE DWARFS OF EAST AGOUZA), UMUT ÇAĞLAR (KONSTRUKT), MAZEN KERBAJ (“A” TRIO, JOHNNY KAFTA ANTI-VEGETARIAN ORCHESTRA), MICHAEL ZERANG (PETER BRÖTZMANN CHICAGO TENTET), SHARIF SEHNAOUI (“A” TRIO, ORCHESTRA OMAR) and TONY ELIEH (ORCHESTRA OMAR, JOHNNY KAFTA ANTI-VEGETARIAN ORCHESTRA ) come together to perform and / or record, the result is as diverse as their individual musical backgrounds. The septet’s sound is neither retro nor avantgarde, not folklore nor jazz or rock – it’s an astonishing blend of all these different styles and elements where seductive oriental melodies can intensify and turn into a psychedelic freak-out, fuelled by reeds, guitars and electronics, only to re-start again from quiet sounds till the ensemble seeks catharsis in a collective improv outburst! Defying simple categorization, and in lack of proper terms for the intense experience of KARKHANA’s music (as well as the member’s other projects mentioned before), someone labelled it “free Middle Eastern music”. And it’s not surprising that these skilled musicians are at their best live on stage – as documented on this live recording from a furious, highly energetic concert at Bimhuis / Amsterdam!

浅井健一のソロ・プロジェクト第2章の中核を担う、エンジン全開のアルバム。真っ白なイノセンスと灼熱の狂気が交差する、ベンジーのディープな世界が満載の作品。珠玉のラブチューン「愛している」にはじまり、ポップに弾けた「Pink Soda Days」まで全8曲を収録。

解散から約9年振りとなる新作3rdアルバム「月世界遊泳(Moonworld Playground)」 マスタリングはアメリカのスタジオにて、M83, DIIV, Tame Impara, Wolf Alice 等、数々の海外人気アーティストを手掛けたDave Cooleyが担当。年末からは海外でのフェス 出演やツアーも再開、それに先駆け国内では6月9日にレコ発・東京公演を予定している。

東京酒吐座是日本瞪鞋樂團，由六個人於2010年組成有三名吉他的團，2013年解散，現在主要成員另外成立了CQ繼續活動

All tracks are performed by Kerry Ellis (vocals), Brian May (acoustic guitar) and Jeff Leach (keyboards) except where noted. Produced by Brian May Co-produced and engineered by Justin Shirley-Smith and Kris Fredriksson Recorded by Robin Fox and Mike Savage Mastered by Kevin Metcalfe at The Soundmasters Front cover photography and design by Daniele Calabria Back cover photography by Francyne Carr and Terry Brisco Artwork by Richard Gray Special thanks to Anita Dobson, James Townsend and our families, and to our faithful fans. Always appreciated. The album was recorded at various venues on the 2012 'Born Free' tour of England. It features 4 Queen tracks, 3 tracks from Kerry's debut album 'Anthems', 7 cover versions, and 1 new track written by Brian and Kerry. Brian plays acoustic guitar on 12 tracks, electric guitar on 2 tracks, and one is performed by Kerry and Jeff Leach with no involvement from Brian. Notes Live on the 'Born Free' Tour (in the U.K.) Brian Harold May CBE (born 19 July 1947) is an English musician, singer, songwriter and astrophysicist who achieved international fame as the guitarist of Queen. As a guitarist he uses a home-built guitar, "Red Special". Queen's albums include numerous May compositions, including "Tie Your Mother Down", "I Want It All", "We Will Rock You", "Fat Bottomed Girls" and "Who Wants to Live Forever". He was appointed a Commander of the Most Excellent Order of the British Empire (CBE) in 2005 for "services to the music industry and for charity work". May attained a Ph.D in astrophysics from Imperial College in 2007 and was Chancellor of Liverpool John Moores University from 2008 to 2013. He resides in Windlesham, Surrey.[3] He is an active animal rights advocate and was appointed a vice-president of animal welfare charity the RSPCA in September 2012. In 2005, a Planet Rock poll saw May voted the 7th greatest guitarist of all time. He was ranked at No. 26 on Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time". In 2012, May was ranked the 2nd greatest guitarist of all time by a Guitar World magazine readers poll. Kerry Jane Townsend (born 6 May 1979), better known by her maiden name Kerry Ellis, is an English actress and singer who is best known for her work in musical theatre and subsequent crossover into music. Born and raised in Suffolk, Ellis began performing at an early age before attending Laine Theatre Arts from the age of 16.

ドラマーのササブチヒロシが率いるバンド・東京酒吐座（トウキョウシューゲイザー）のアルバム「crystallize」が11月23日にリリースされる。 東京酒吐座は、ササブチ、渡辺清美（G / 殻）、YUKI（G, Vo / Presence of soul）、Yoshi（G / Presence of soul）、the k（B / 101A）からなるシューゲイザーバンド。彼らにとって記念すべき1stアルバムには、全7曲が収録される。 CDリリースと同日より、海外でのiTunes Store配信も開始。また国内発売に先駆けて、10月12日に台湾・TheWALL TAIPEIで行われるササブチの誕生日ライブ「祝35歳生誕祭は海外進出！やっちゃえ、ぶちおさん！in 台湾」では、アルバムの先行販売を実施する。

苏格兰民谣乐队的第四张专辑，也是女主唱参与的最后一张，她离队后其余的三个人又出过一张唱片。

fun is Nate Ruess, Andrew Dost and Jack Antonoff. Formed during the winter of 2008, the band recorded their debut album with producer Steven McDonald, arranger Roger Joseph Manning Jr and a cast of characters. They will release their debut album in 2009.