On October 18, 2015, a terrorist armed with a gun and a knife entered a bus terminal in the Southern Israeli city of Beersheba. Within 18 minutes, a soldier was killed and an Eritrean asylum seeker was beaten to death. Using surveillance footage and cellphone cameras, this riveting film presents a tense, minute-by-minute, Rashomon-style account of that tragic day. It tells the story of people caught in the wrong place at the wrong time and the terrible results caused by panic, fear and prejudice. Winner of top prizes at the International Documentary Film Festival Amsterdam and Israel’s Academy Awards, this intricately constructed film puts the viewer in an extreme situation and forces them to question their own assumptions. Executive produced by Mark Boal and Megan Ellison (Zero Dark Thirty), Death in the Terminal was recently named one of the “10 Most Anticipated Documentaries of 2017” (nonfics.com).

Auschwitz prisoners, both Jewish and non-Jewish, were tattooed with serial numbers, first on their chests and then their left arms. An estimated 400,000 numbers were tattooed in Auschwitz and its sub-camps; only some several thousand survivors are still alive today. NUMBERED is an explosive, highly visual, and emotionally cinematic journey, guided by testimonies and portraits of these survivors. The film documents the dark time and setting during which these tattoos were assigned as well as the meaning they took on in the years following the war. In fact, the film's protagonist is the number itself, as it evolves and becomes both a personal and collective symbol from 1940 to today. These scars, paradoxically unanimous and anonymous, reveal themselves to be diverse, enlightening, and full of life.

A six-hour interview with David Ben-Gurion, one of modern history's greatest leaders, emerges from the obscurity of an archive where it has lain unrecognized for decades. It is 1968, and Ben-Gurion is 82 years old. He lives in the seclusion of his home in the desert, remote from all political discourse, which allows him a perspective on the Zionist enterprise. His introspective soul-searching is the focus of this film, and his reflections provide a surprising vision for today's crucial decisions and for the future of Israel.

以色列裔法国女子安娜（Juliette Binoche 茱丽叶•比诺什 饰），自幼随父亲从法国回到以色列定居。父亲为了不忘记曾在法国土地上打拼的祖先，特别禁止安娜学习希伯来语。青春孟浪的安娜与以色列男子情愫暗生，并产下一女。然战争导致离乱，安娜无奈之下只得将女儿留在巴勒斯坦的犹太人隔离区，从此离开这个伤心之地。
多年后，安娜的父亲病危，她得以返回以色列，并与同父异母的弟弟尤里（Liron Levo 饰）相见。从律师口中得知，安娜的女儿丹娜（Dana Ivgy 饰）仍生活在犹太人隔离区，祖孙早已相认，外公更是为这个孤独的外孙女留下一份遗产。
思念女儿的安娜在尤里的帮助下，踏上了前往加沙的寻女之路……

Two girls from nuclear towns in Israel and Iran spill their countries most valuable secrets on Facebook while trying to prevent a nuclear crisis.