继2015年发布了处女作全长录音室专辑《Loop》之后，时隔两年，来自成都的秘密行动乐队即将在全球范围内发布最新单曲和全新EP，这些记录了他们的成长轨迹又充满他们独特气息的作品邀请到旅居德国柏林的英国籍制作人Mark Reeder来担纲制作，中国新锐和横跨摇滚世代传奇音乐人的心力合作，会制造出什么样的声音，不可说不值得期待。 由骑鼓唱片的倪兵先生牵线，秘密行动的音乐吸引到了Mark Reeder的注意，受到乐队邀请后Mark很快就确定了中国的行程。在成都，Mark与乐队共同生活工作了数日，从排练室到录音棚，从想法沟通到技术实现，这位老资格的摇滚乐制作人为秘密行动提供了一切可以提供的帮助，他们一起完成了3首单曲，目前Mark正在柏林进行后期制作，在9月15日集结成EP在全国范围内发行也将于9月25日在欧洲发行上线。

今年春天最适合听的乐团 「一池春水 如梦的台北 多美好的人生 在颓败的地方找到快乐」 从一个最混沌的状态里发芽，有过暴裂有过激热，很快的就开始等待最后一秒的坠地了。他需要温柔而抽离的酒精，唱漫天舞地的歌；干枯的浴室他留不住，用仅剩的个人倾向跳入蓝色的海，裸身浮沉到海口，静而凝视的姿态、拧气闭眼。 「你会不会一去不回来 ？我在烟里等你」 ＿＿＿无法排遣、无法打发，无法洒脱地丢弃，只能坦坦面对，豁豁地与之相处。去去回回，堵了那扇门有另一散扇窗，用缓慢拖沈的喃喃说一种潮湿的快乐，闷着黏着困着，不留余地得把痛苦也合而为一。

Big Fish Theory is the second studio album by American rapper Vince Staples. It was released on June 23, 2017, by Def Jam Recordings, ARTium Recordings and Blacksmith Records. The album was supported by three singles: "BagBak", "Big Fish" and "Rain Come Down".

2017 陳珊妮全新創作專輯 【戰神卡爾迪亞】 「我們需要擁有一段自己的時間, 真正屬於自己的夢, 和完全屬於自己的孤獨感。」 - 陳珊妮 全專輯10曲＋【陳珊妮X魏如萱】單曲，雙CD完美套組 預購加贈極限量【娃娃手繪】&【公主攝影】二入印刷簽名夢幻燈片組合 ------------------------------------------------------------------------------------------------------------ 搖滾相挺X吉他跨刀 – 由五月天石頭和怪獸演奏專輯中【他是末日預言中的宇宙碎片】電吉他，盛大末日前所有當代青年的最終夢想。 青春低語X 泛音泡泡 – 與娃娃魏如萱首度3D合作詞/曲/演唱；要你做個決定有這麼難嗎？就是【不要不要】 ------------------------------------------------------------------------------------------------------------- 珊妮說～ Ground Control to Major Tom… 在1969年的Space Oddity中醒來, 自從手機取代鬧鐘的那天早晨開始, 卡夫卡巨大昆蟲的想像彷彿永遠消失了。 保持連線很重要, 就是盡量避免那種與人失去聯繫的不安全感吧。想和你在一起, 又不想要靠得太近, 不想直接打電話, 卻想得到彼此全部的注意力, 我們正在拿捏一種既適切又不思議的距離。 我們開始量身訂做自己的新規則, 加新好友確保那些安慰支持不會間斷。我們比起從前更脆弱了一些, 對外界的複雜要求更加難以忍受, 盡量避免解決真正的難題。我們在新的幻想形式裡, 尋找聆聽的對象。 以更自戀的方式與世界建立著關係。 我們在人生最重要的時刻, 拿起手機照相, 儲存了『得到你想要的』和『得到你以為你想要的』之間的差異, 隨即在『那些聽不見音樂的人認為那些跳舞的人瘋了』下面對尼采點讚。 我們為了行動裝置忙個不停, 我們是正在被科技創造中的人類。 在2017年的Space Oddity中醒來, 房間裡獨自一人, 想像我的太空我的宇宙, 湯姆上校獨特的漂浮姿態, 總是被手機提示音打斷。 在侯孝賢咖啡時光裡電車交錯的美麗瞬間, 無意識滑著手機等待世界最簡單的回信。 我們需要擁有一段自己的時間, 真正屬於自己的夢, 和完全屬於自己的孤獨感。 是的, 我們一直沒有勇氣告訴自己, 我們需要那點孤獨感。

In the two years since To Pimp a Butterfly, we’ve hung on Kendrick Lamar's every word—whether he’s destroying rivals on a cameo, performing the #blacklivesmatter anthem on top of a police car at the BET Awards, or hanging out with Obama. So when DAMN. opens with a seemingly innocuous line—"So I was taking a walk the other day…”—we're all ears. The gunshot that abruptly ends the track is a signal: DAMN. is a grab-you-by-the-throat declaration that’s as blunt, complex, and unflinching as the name suggests. If Butterfly was jazz-inflected, soul-funk vibrance, DAMN. is visceral, spare, and straight to the point, whether he’s boasting about "royalty inside my DNA” on the trunk-rattling "DNA." or lamenting an anonymous, violent death on the soul-infused “FEAR.” No topic is too big to tackle, and the songs are as bold as their all-caps names: “PRIDE.” “LOYALTY.” “LOVE.” "LUST.” “GOD.” When he repeats the opening line to close the album, that simple walk has become a profound journey—further proof that no one commands the conversation like Kendrick Lamar.

Until a late flurry of percussion arrives, doleful guitar and bass are Solána Rowe’s only accompaniment on opener “Supermodel,” a stinging kiss-off to an adulterous ex. It doesn’t prepare you for the inventively abstract production that follows—disembodied voices haunting the airy trap-soul of “Broken Clocks,” “Anything”’s stuttering video-game sonics—but it instantly establishes the emotive power of her rasping, percussive vocal. Whether she’s feeling empowered by her physicality on the Kendrick Lamar-assisted “Doves in the Wind” or wrestling with insecurity on “Drew Barrymore,” SZA’s songs impact quickly and deeply.

Every record I make has an archetype,” says Clark. “‘Strange Mercy’ was Housewives on Pills. ‘St. Vincent’ was Near-Future Cult Leader. ‘MASSEDUCTION’ is different, it’s pretty first person. You can’t fact-check it, but if you want to know about my life, listen to this record.” ‘MASSEDUCTION’ is the culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe. Special guests on the album include Thomas Bartlett on piano, Kamasi Washington on saxophone, Jenny Lewis on vocals, and beat production from Sounwave. Greg Leisz and Rich Hinman add pedal steel, and Tuck and Patti Andress contribute guitar and vocals respectively on select tracks.

《6600万年以前》是为益鸟文化传媒策划的PNSO古代海洋生物复原展览所创作的环境音乐，它的创作出发点是尽可能削减音乐本身所带有的“侵略性”，从而使其能作为展览空间中既定的组成部分，循环播放中不对长时间处于展馆内的人造成听觉上的疲累。这种空间感的营造对装置展览本身也非常重要，在观展者踏入展馆的那一刻，就能明显感受到一个气压和凝聚力都截然不同的地域；但在观赏的过程中，这种隐匿的压迫感却会融入观展者的意识和耳压习惯中，让观展过程始终处于一种带有底噪的舒适状态。这种舒适感在他离开这个空间时会又一次被突然打破，就好像潜水许久的人终于浮上水面后的轻松感一样。 专辑中所有曲目均于2016年间在磊落声音艺术工作室内录制。 工程：Wang Yile, 张彧 tr 1 的小号于Zoo Music Studio录制，录音师：萃Ming。 tr 1, 2, 3, 5由张彧混音； tr 4, 6 由The Push Music 推音乐混音。 母带师：李游 本专辑由益鸟文化传媒出品，特别感谢PNSO的科学艺术家赵闯创作的专辑油画封面。

Bicep - the Belfast-born, London-based duo of Matt McBriar and Andy Ferguson - are pleased to announce their self-titled debut album, a record that truly encapsulates their history and the distillation of their passion for music and club culture since their first release in 2010, via Ninja Tune.

American Dream is the upcoming fourth studio album by American rock band LCD Soundsystem. It is set for release on September 1, 2017 through DFA Records and Columbia Records.

★ 深沉夜色间穿越极简电气迷雾而来的浪漫灵魂之声 ★ The xx / FKA twigs / SBTRKT独立厂牌Young Turks年度秘密武器 ★ Kanye West / Drake / Frank Ocean / Solange争相合作超级新声 ★ 嘻哈狂人Kanye West神秘跨刀共同谱写话题新作〈Timmy's Prayer〉 纵然在2014年由BBC选拔的Sound of 2014仅获得第四名的席次（当年由Sam Smith夺冠），来自南伦敦的唱作人Sampha也绝非等闲之辈，光2015年便获得Kanye West、Frank Ocean以及Solange等天王歌后的邀请，为〈Saint Pablo〉、〈Endless〉与〈Don't Touch My Hair〉等畅销单曲跨刀献声，2013年与加拿大饶舌歌手Drake合作单曲〈Too Much〉，更拿下英国节奏蓝调榜19名 / 美国告示牌饶舌榜16名的绝佳成绩。 发行个人首张专辑《Process》以前，Sampha除了被一手挖掘The xx、FKA twigs的伦敦音乐厂牌Young Turks重点培养之外，也是Post-dubstep以来，Katy B、SBTRKT、Jessie Ware等众家歌手身旁的最佳绿叶。这位被BBC拿来与Tracey Chapman、流行天王Michael Jackson相作比拟的灵魂 / 节奏蓝调唱作人，继《Sundanza》、《Dual》EP与多支单曲后，2017年接力在The xx回归大碟《I See You》后头登场的处男专辑《Process》，绝对是Young Turks年度最重要的发行之一。 《Process》由Sampha与爱丁堡制作人Rodaidh McDonald（The xx / How To Dress Well）联合制作，以唱作人 / 歌手角色带来十首揉和灵魂、节奏蓝调与民谣的出色作品。首支单曲〈Blood on Me〉甫推出便获得Pitchfork网站「最佳新进歌曲」的肯定。Sampha拥有比Jai Paul更浑厚、比How To Dress Well更直率的嗓音，歌曲〈Plastic 100°C〉与〈Kora Sings〉巧思的编曲布局与Tribal重击的节奏蓝调，都是Sampha的拿手好戏。 Kanye West共同谱写的成人抒情曲〈Timmy's Prayer〉令人想起The Weekend；〈Incomplete Kisses〉与〈Reverse Faults〉则是多年混迹南伦敦UK bass打下的沈稳基石；〈（No One Knows Me）Like The Piano〉与〈Take Me Inside〉的Piano-Oriented唱作，与James Blake难分轩轾。 从remixer、客席歌手走向属于自己的舞台，Sampha是整个UK新世代迟来的惊喜。（OR伊森） Genres: Electronic, Music Expected Release: Feb 03, 2017 ℗ 2017 Young Turks Recordings

4:44 is the fourteenth studio album and thirteenth solo album by American rapper Jay-Z. It was released on June 30, 2017 through Roc Nation. The album is solely produced by No I.D. with additional production from Jay-Z. The album features guest appearances from Frank Ocean, Damian Marley, Beyoncé and Jay-Z's mother, Gloria Carter. 4:44 was released as an exclusive to Sprint and Tidal customers, and is the first in a planned series of music exclusives from the Sprint-Tidal partnership. A physical release has been confirmed and will include the three bonus tracks.

On the 7th of April, Arca will release his third full-length album. Available via XL Recordings, the self-titled record is the first to feature the Venezuela-born, London-based producer’s untreated singing voice. He sings in Spanish – the language of his childhood home, Caracus. It stands as a defiant, delicate statement of intent, and cements his position as one of this turbulent decade’s defining musicians. Previous work has incorporated snatches of song and Arca’s rapping, but on Arca, his voice is front-and-centre on eight of the album’s 13 tracks. Frequently, he has used his first-takes, untreated and without post-production: clicks of saliva and burrs of the throat carry melodies of staggering richness and delicacy. His masterful production knits together vocal tracks like “Sin Rumbo” and first single “Anoche” with instrumentals like “Whip” and “Urchin”, each as extreme as the other. Across the album, the tectonics of pure digital sound, his own piano playing and voice combine, weaving the album together like folds of skin, or wounds healing post-trauma. Arca has made some of most brazenly forward-thinking music of recent years, both on his previous solo albums Xen (2014) and Mutant (2015), and in collaboration with fellow futurists Björk (Vulnicura), Kanye West (Yeezus), and fashion collective Hood By Air. Arca represents a stunning step forward in his celebrated catalog, one that will excite his long time fans and find him many new ones. The album features stunning artwork from long time Arca visual collaborator Jesse Kanda and is available on CD, single vinyl LP with gatefold sleeve with three 24”x12” prints & printed inner sleeve. ‘Piel’, the first song to be released from the album, was met with widespread acclaim. Pitchfork stated “The first taste of Arca does more than subvert the expectations we have of Ghersi, it annihilates them” while i-D described Arca’s music as “pure, fragile and sincere, full of wounded experimental, electronic majesty”. Following Piel, came Anoche, the second song and first video, again in collaboration with Jesse Kanda. Major press is forthcoming from The FADER (Cover), New York Times, Dazed & Confused (Cover), i-D (Cover), Pitchfork, Rolling Stone, Slate, Spin, Vice and more. “Here’s my voice and all my guts: feel free to judge it. It’s like a bullfight: you’re watching emotional violence for pleasure. So this is a character who, almost as a mockery of the transaction, goes uncomfortably deep, into self-mutilation. ‘You want gore? Here’s gore’” – Arca on Arca “Intelligent, impassioned and inspired by integrity, Arca’s continued growth as an artist promises to be one of the most exciting journeys of the coming years. The musician has no plans to stop either, telling us in no uncertain terms: ‘I want to make music until I die.’” – Dazed “Arca was making body music for the active mind.” – New York Times

隨著憂愁和畏懼被日復一日地擦拭、供奉，模糊的輪廓終於呈現出凝鍊而肅穆的形象；與此同時，輕盈的身姿卻又如夢幻般若隱若現。「豬肉樂隊」訴說著其中陸離的變化，將覆蓋於意志之上的灰燼拂去，揭開專輯「煩惱」雋永的光芒。

Dylan Baldi maintains simple, admirable standards in quality. “A thing I like to do with all of my records is drive around with them,” the 25-year-old Cloud Nothings frontman says. “In high school, I would listen to music for hours like that: just driving through the suburbs of Cleveland. And if it sounds good to me in that context and I can think of high school me listening to it and saying, ‘That’s okay,’ I feel good about the record. This is the one that’s felt best.” “This” is Life Without Sound, the radiant, far-far-better-than-okay fourth full-length his rock outfit has recorded since he began writing and releasing songs on his own under the Cloud Nothings alias in 2008. While its highly acclaimed predecessor—2014’s Here and Nowhere Else—came together spontaneously, in the little time that touring allowed, Life Without Sound took shape under far less frenetic circumstances. For more than a year, Baldi was able to write these songs and flesh out them out with his bandmates—drummer Jayson Gerycz and bassist TJ Duke—before they finally joined producer John Goodmanson (Sleater Kinney, Death Cab for Cutie) at Sonic Ranch in El Paso, Texas, for three weeks in March of 2016. The result is Baldi’s most polished and considered work to date, an album that speaks to his evolving gift with melody while also betraying the sort of perspective that time provides. You can hear it in the aerodynamic guitar pop of “Modern Act,” and feel it in the devastating wisdom of “Internal World,” a lullaby-like howler that dwells on “the fact that being yourself can be uncomfortable and even potentially dangerous at times.” “Generally, it seems like my work has been about finding my place in the world,” Baldi says. “But there was a point in which I realized that you can be missing something important in your life, a part you didn't realize you were missing until it's there—hence the title. This record is like my version of new age music,” he adds. “It’s supposed to be inspiring.” It is. Limited deluxe LP on green marble vinyl; special embossed jacket; includes exclusive poster and audio download.

Boris are: Takeshi - Vocal, Bass & Guitar Wata - Vocal, Guitar & Echo Atsuo - Vocal, Drums, Percussion & Electronics Additional Musician AXONOX - Electronics on Track 01 Recorded by Fangsanalsatan at Sound Square Mixed & Mastered by Soichiro Nakamura at Peace Music Sound Produced by Boris & Shinobu Narita All Songs & Words Written by Boris Artwork - Kosuke Kawamura Layout - Fangsanalsatan