This disc represents the bridge between Talking Heads' first two herky-jerkier albums and the next two funky ones. Includes the song's 'I Zimbra', 'Memories Can't Wait' and comes with a bonus DVD (PAL Region 0). *Please note the you will need an ALL Code DVD player to view. Rhino. 2005.

Limited Edition import-only vinyl LP repressing of this album. Universal. 2007.

阿曼多·安東尼·奇克·柯瑞亞 是美國的爵士鋼琴家、鍵盤手以及作曲家。 他作的許多曲子都被視為是爵士的標準曲目。在1960年是邁爾斯戴維斯樂隊的一份子，他同時參與了融合爵士的建立與茁壯。在1970年代他組成了回歸永恆樂團。

阿曼多·安東尼·奇克·柯瑞亞 是美國的爵士鋼琴家、鍵盤手以及作曲家。 他作的許多曲子都被視為是爵士的標準曲目。在1960年是邁爾斯戴維斯樂隊的一份子，他同時參與了融合爵士的建立與茁壯。在1970年代他組成了回歸永恆樂團。

Full performer name: Art Blakey & The Jazz Messengers. The Rudy Van Gelder Edition of MOANIN' includes an essay by Bob Blumenthal. Art Blakey & The Jazz Messengers: Art Blakey (drums); Benny Golson (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass). Producer: Alfred Lion. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Hackensack, New Jersey on October 30, 1958. Originally released on Blue Note (4003). Includes liner notes by Leonard Feather and Bob Blumenthal. Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey). This is part of the Blue Note Rudy Van Gelder Editions series. If you simply can only have one Art Blakey and the Jazz Messengers disc (and why would you stop there?), it absolutely must be MOANIN'. This 1958 Blue Note date is the cream of the early Messengers' studio sessions. The group of this period featured the wailing Lee Morgan (trumpet), the swinging Benny Golson (sax) and the soulful Bobby Timmons (piano) with longtime bassist Jymie Merritt by Blakey's side. All of the pieces fell into place here to create one of the most hard-swinging, blues-inflected records in jazz history. Timmons' classic title cut sets the pace as it's laid-back call-and-response chorus and swinging bridge will get in your soul and start your head bobbing. Golson's bouncing "Are You Real" and the subtle "Along Came Betty" feature that golden Messengers ensemble sound that can't be matched as Blakey drives his men mercilessly. The most dynamic tracks, of course, are the drum feature "The Drum Thunder Suite," a Blakey tour-de-force, and the powerful "Blues March" featuring Art's signature shuffle groove. A delightful reading of the standard "Come Rain Or Come Shine" caps it all off. This is the one to get first.

American Beauty is the fifth studio album by rock band the Grateful Dead. Released November 1, 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album Workingman's Dead, issued earlier in the year.

乐队的第三张专辑《 Green River 》开始在音乐上逐渐摆脱了当地的迷幻摇滚乐的影响，John似乎对乡村音乐、传统布鲁斯音乐等美国南部地区的音乐风格情有独钟，这使得乐队在当地（旧金山地区）显得尤为不同，更像是一支南方乐队，他们的音乐充满了密西西比州的田园气息。《 Green River 》同上一张专辑一样取得了排行榜第7位的成绩。

Over-Nite Sensation is the seventeenth studio album by Frank Zappa and The Mothers of Invention. Released on September 7, 1973, it was subsequently followed by Zappa's solo album, Apostrophe ('), which derived from the same recording sessions.

Recorded：January 30, 1956 Studio：Audio-Video Studios，New York City Charles Mingus – bass Jackie McLean – alto saxophone J. R. Monterose – tenor saxophone Mal Waldron – piano Willie Jones – drums