Digitally remastered reissue of this 1967 release, one of Rock's 'greatest albums of all time'! This really is an album that no collection is complete without! With A&M junior popmeister Richard Perry, jack of all trades Ry Cooder and songwriting genius Russ Titelman, The Captain makes his first real shot at being legendary...and succeeds! Beautifully re-mastered and wonderful liner notes by Kris Needs with comments from the stars of today! 19 tracks. Rev-Ola. 2009.

Few debuts are as initially powerful and permanently impressive as this 1967 set from San Francisco's Moby Grape. The triple-threat quintet (every member played, sang and wrote songs) serves up an utterly unique first course that mixes psychedelia, hook-filled pop, blues and country elements. The album tosses off diamond-delicate ballads and full bore rockers with equal soul and inspiration -- and more energy than any other band then on the scene. Without a single duff cut, here's an album that plays as fresh and strong as the day it was first released.

For the first time in 40 years, here it is in dangerously powerful MONO, exactly as it was intended: the stupefying debut album by Texas' heroic psychedelic point-men, the 13th Floor Elevators, on Sundazed's uncannily accurate high-definition vinyl! The unearthly banshee howl of Roky Erickson, the blistering guitar of Stacy Sutherland and the demented electric jug of Tommy Hall haven't sounded this scary since their glory days in the third eye of the lysergic hurricane!

Limited edition Japanese pressing of this album comes housed in a miniature LP sleeve.

Japanese remastered reissue of the Japanese psych/hard rock act's 4th & final album. Previously issued as a single CD, this double CD version tacks on the missing 17-minute live-studio version of 'Satori Pt. 2'. Recorded live in Sep. 1972.

Donovan Phillips Leitch is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music. He has lived in Scotland, Hertfordshire, London, California, and since at least 2008 in County Cork, Ireland, with his family.

Originally released as an LP by Radish 1967

Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.

The album also served as a soundtrack album to the film of the same name, which Zappa eventually finished and released direct-to-video in 1987.

The music is diverse in style, drawing from orchestral, jazz, blues and rock music. The Uncle Meat album was a commercial success upon release, and has been highly acclaimed for its innovative recording and editing techniques, including experiments in manipulation of tape speed and overdubbing, and its diverse sound.

We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two LP's, it is a concept album, written and composed by bandleader and guitarist Frank Zappa. The album satirizes left- and right-wing politics, the 1960s counterculture, the corporatization of rock music and youth culture, particularly the hippie subculture. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.

Angus MacLise was active on New Yorks' underground avant-garde scene in the early '60s, both as a musician and poet. Among his many collaborations was the Theatre of Eternal Music, together with Tony Conrad, La Monte Young, John Cale and Marian Zazeela. In 1965 he became The Velvet Underground's original percussionist, but left before they made any records.
After he left the Velvets, he continued to make improvised music, film music and poetry until his death in Kathmandu, Nepal, 1979.