「梦，从来都无所遮蔽，我们只是不理解它的语言罢了。 它泄露着你不得而知的秘密，只关于你，包括那些被教育、社会环境、道德准则稀释掉的更为浓稠的本我特征。让躯体下沉，沿纵向探索，要的是一场觉悟。八部半，是一场身为创作者的自我剖解，平静而缓和的内化自我潜伏期过后更为汹涌澎湃的对外呼喊。 灵感来源于导演费里尼同名奇幻电影作品。影片中主人公是一位导演，他饱受梦境折磨，但又企图通过梦境、幻想、童年时代的自省得到创作的灵感。 这张专辑以此为母体，再做分解。呈现出梦境的三个困境——困于内、困于表、困于外。 三个层次，分别象征着创作者身份所面临的三种挣扎。 困于内：人与自身经历的内部剖解；困于表：人与人之间虚伪互动共感；困于外：人与大环境的被动感、被作用力。 直面梦境与过去，亦是直面自己。」

解离的真实乐队首张全长专辑《昏古七》，制作人李马科，母带制作由Gang of Four的御用声音工程师John Webber担当。专辑共11首歌，包含首张EP的4首重新制作版本。 作曲：解离的真实 编曲：解离的真实 吉他/人声：阿鸣 贝斯：大白 鼓：Daniel 萨克斯：Klaus Bru 封面设计：赵子荷 联合制作人：李马科

“易逝的一切” 并非清晰明确的目标，而是后知后觉的总结。 专辑的灵感来自 “回声与自恋“ （Echo & Narcissism）的一则希腊神话以及“回文” 的概念（回文 - 首尾回环的词句）。所以最先拟定的是专辑的名字 -「洄响集」。当然这命名本身就已赋予了许多方向；比如某种“水”的属性，现实与回忆/梦境的关联。 专辑的概念萌芽于2016年盛夏的《老What》酒吧，最初只是个简单的想法，就是做一张首尾相连的专辑，并且歌曲之间彼此流淌。当时的飞椒刚度过其短暂的春天，野心蓬勃，关于秋冬的一切尚未知晓，只有「洄响集」这个名称以及其中几首歌的雏形。三年时光稍纵即逝，所有创作都围绕着潜在的命题开展蔓延，专辑制作的过程其实就是创作本身的延续，然而直到创作彻底完成才能明确这个主题到底是什么 ： “易逝的一切，化为声响，洄而溯之” ，由自我开始，然而与众生有关。这应是某种潜意识的流露，自我实现的预言，也是宿命的安排。 从音乐的角度来看，「洄响集」是我们对艺术摇滚的当代诠释，也是我们对70年代经典专辑的致敬。作为一个独立乐队，我们在客观条件允许下，不受外界影响，尽力而为的创作，与这个时代而言其实是种极致的奢侈。对此我们深感庆幸，并欣然接受其带来的结果，无论苦涩或者甘甜。 感谢这些年来所有帮助过我们的亲人朋友！

《Chromatica》是美国流行天后Lady Gaga于2020年5月29日发行的第六张录音室专辑。A妹Ariana Grande，韩国女团BLACKPINK，英国传奇摇滚音乐人Elton John等献声加持热度！Axwell, BloodPop®, BURNS, Klahr, LIOHN, Madeon, Skrillex, Tchami等知名电子制作人参与制作，诚邀你畅游Chromatica神彩星球寻一场舞池狂欢。 普通版共收录16首歌曲，Target独占版 / 国际豪华版共收录19首歌曲，日本初回生产限定盘共收录20首歌曲。 该专辑原定于2020年4月10日发行，受到2020年新型冠状病毒疫情影响推迟到5月29日发行。

Dedicated Side B is the companion album to Dedicated (2019), the fourth studio album by Canadian singer Carly Rae Jepsen. It was released on May 21, 2020, by 604 Records in Canada, and Schoolboy and Interscope Records in the United States. The album features 12 outtakes from the original album (14 on the Japanese edition). Musically, it is primarily a dance-pop record with disco influences.

Notes On A Conditional Form is The 1975's highly anticipated fourth studio album. Available May 22nd, the 22-track epic includes hit singles "People" and "Me & You Together Song". The band worked to use as little plastic as possible in the manufacturing of the product.

WILL THIS MAKE ME GOOD is a question Nick Hakim has asked himself since he was young and struggling in school; a reflection of what's happening in his head as he sorts through his life and the tumult around the globe. WILL THIS MAKE ME GOOD articulates a sense of confusion alongside a desire for hope and clarity. The album was produced by his longtime collaborator Andrew Sarlo (Big Thief, Bon Iver), who also produced Hakim's breakthrough debut "Green Twins". CD in 4-panel softpak with booklet.

Set My Heart On Fire Immediately is the fifth studio album from Perfume Genius released on Matador Records. It sees artist and musician Mike Hadreas re-teaming with GRAMMY-nominated producer Blake Mills and features contributions from musicians Jim Keltner, Pino Palladino and Matt Chamberlin. It was recorded in Los Angeles, where Perfume Genius settled in 2017 with longtime partner and musical collaborator Alan Wyffels. The album explores and subverts concepts of masculinity and traditional roles, and introduces decidedly American musical influences. Throughout Hadreas plays with themes of love, sex, memory and the body, channeling popular music mythologies while irreverently authoring its own – from the delirious, Cyndi Lauper-nodding celebratory pop of ‘On The Floor’, specters of Elvis on haunted tremolo waltz ‘One More Try’, to the harpsichord-punctuated baroque pop of ‘Jason’, and gliding steel guitar and Balearic rhythm of ‘Without You’. “I wanted to feel more open, more free and spiritually wild,” says Hadreas, “and I’m in a place now where those feelings are very close - but it can border on being unhinged. I wrote these songs as a way to be more patient, more considered - to pull at all these chaotic threads hovering around me and weave them in to something warm, thoughtful and comforting.” First album taster ‘Describe’ captures this sense of fleetingness and living in the moment through a heavy fog of grizzly distortion and tumbling slide guitars: “It started as a really somber ballad. It was very minimal and very slow. And then it turned into this beast of a song. I started writing that about when you are in such a dark place that you don’t even remember what goodness is or what anything feels like. And so, the idea was having someone describe that to you, because you forgot or can’t get to it.” Its accompanying video, self-directed by Hadreas, envisions “an end of the world where there are no boundaries, there are no edges, no rules, or the rules are completely new with how you interact with each other and the space around you.” Indies Only double LP edition on transparent blue vinyl

Moses Sumney evades definition as an act of duty: technicolour videos and monochrome clothes; Art Rock and Black Classical; blowing into Fashion Week from a small town in North Carolina; seemingly infinite collaborators, but only one staggering voice. A young life spent betwixt Southern California and Accra, Ghana — not so much rootless as an epyphite, an air plant. The scale is cinematic but the moves are precise deeds of art and stewardship. Sumney’s new, generous album, græ, is an assertion that the undefinable still exists and dwelling in it is an act of resistance. The songs on græ may be divergent, like the visceral, Smashing Pumpkins drama of Virile and the intoxicated, outro jazz of Gagarin. There’s the kinky, ambiguous bop of Cut Me countered with the sweeping, amphitheater-ready Bless Me. But there’s that voice, always unknowable and penetrating, threading these pieces together: a heavenly rasp, a whale call, Miles' horn, a soulful snarl. It all works to create a paradox, ke

How I'm Feeling Now (stylized in all lowercase) is the fourth studio album by English singer and songwriter Charli XCX, it was released on 15 May 2020. The album is a "do-it-yourself" collaborative process with Charli XCX involving her fans in the recording process. The recording and title were inspired by the COVID-19 pandemic lockdown. In April A. G. Cook and BJ Burton were named as the album's executive producers.

Petals For Armor is the debut solo album from Grammy® Award-winning artist Hayley Williams. The first single from the album, “Simmer”, marked Hayley Williams’ first new music release since Paramore’s chart-topping 2017 album, After Laughter. “I’m so ready and so incredibly humbled to get to share this project,” says Williams. “Making it was a scary, empowering experience. Some of my proudest moments as a lyricist happened while writing Petals For Armor. And I was able to get my hands a little dirtier than usual when it came to instrumentation. I’m in a band with my favorite musicians so I never really feel the need to step into a role as a player when it comes to Paramore records. This project, however, benefited from a little bit of musical naïveté and rawness and so I experimented quite a bit more. I made this with some of the closest people to me. Their respective talents really shine bright throughout the record. I like to think we all make each other better and the result is some

The self-titled debut from Canadian solo artist Boniface is a catalogue of formative coming-of-age experiences, each moment captured in diary-like detail and set against a magnificently sprawling backdrop. Throughout the album, the musician/producer otherwise known as Micah Visser reflects on falling in love and facing heartbreak whilst struggling with identity, never failing to find an ineffable beauty within all the pain. The result is a body of work both bracingly honest and powerfully exhilarating—an emotional journey that Visser encapsulates as “taking little detours and exploring the times when everything feels perfect.” “This summer, I finished my debut record” Boniface explains. “It is a collection of stories about coming of age in a small town. An intimate series of vignettes from my youth that only came to be through collaboration with a handful of the kindest, most talented people I’ve ever met. From the beginning, I have only been able to tell my stories because I was surrounded by people that connected with them and wanted to tell them with me. I’m so grateful it’s all finally materialized into something we can share, and in early 2020 it will be yours.”

The second album from the Brighton four-piece is the sound of a band mercilessly digging into itself with a stunning, dynamic performance from singer-songwriter Dana Margolin.

My new album Song For Our Daughter is coming out this week, ahead of our planned schedule. In light of the change to all our circumstances, I saw no reason to hold back on something that, at the very least, might entertain, and at its best, provide some sense of union. It’s strange to watch the facade of our daily lives dissolve away, leaving only the essentials; those we love and our worry for them. An album, stripped of everything that modernity and ownership does to it, is essentially a piece of me, and I’d like for you to have it. I’d like for you, perhaps, to hear a strange story about the fragmentary, nonsensical experience of trauma and an enduring quest to understand what it is to be a woman in this society. When I listen back to it now, it makes more sense to me then when I wrote it. My writing, as ever, was months, years, in front of my conscious mind. It was there all along, guiding me gently through the chaos of living. And that, in itself, describes the sentiment of the album — how would I guide my daughter, arm her and prepare her for life and all of its nuance? I’m older now, old enough to have a daughter of my own, and I feel acutely the responsibility to defend The Girl. The Girl that might be lost, torn from innocence prematurely or unwittingly fragmented by forces that dominate society. I want to stand behind her and whisper in her ear all the confidences and affirmations I had found so difficult to provide myself. This album is that strange whisper; a little distorted, a little out of sequence, such is life. I want you to have it. --Laura Marling

解构自我，探索生命 打破旧规则，开创新世界 睽违三年，华晨宇携全新创作专辑——《新世界NEW WORLD》归来。此次，华晨宇以“总监制”的身份深度参与新专辑的创作、创意及制作，试图为听众带来属于他的“全新世界”。本张专辑共收录8首华晨宇的原创作品，风格独特且多变，曲风 涵盖摇滚、重金属、雷鬼、古风等。在制作方面，除包揽全部歌曲的作曲外，华晨宇还与知名制作人郑楠共同完成了大部分歌曲的编曲，并在每一首歌的作曲完成后，深度与词人沟通创作初衷，再由词人配合完成达意。因此，整张专辑具有浓厚的个人风格。 融入个人成长理念，传达全新音乐三观 “新世界”的概念源于华晨宇出道第五年时对人生的新感悟。他说，出道前五年做的音乐都是在说自己，从比赛出道之后，他一直是在自己的“小黑屋”里用音乐抒发内心，只在乎自己的感受和自我语言，经过五年多的成长和蜕变，他发现自己对于音乐有了更多精神上的期许以及领人向善的责任感。出道第七年，华晨宇通过新专辑《新世界NEW WORLD》向听众传达他想要表达的音乐新三观： “向善观”——心怀良善，追寻平衡 古代哲学家记载「事实上在宇宙万物里，大多数的生物行事是出于本能」。“性向善”则代表了每个人都可以通过自我反省，到达新的自我平衡，其中“向”代表了人内在的力量。 “大爱观”——温暖他人，凝聚温柔 无论是探讨环保议题，还是关怀抑郁症群体，虽视角不同，但华晨宇将对每个人的祝愿与期待都凝炼成了音乐作品。他希望每个人都能在学会爱自己的同时，也爱身边的人、爱这个世界。 “世界观”——不惧规则，定义本我 或许是成长中的孤独感造就了华晨宇敏锐的音乐嗅觉。出道七年，他从刚出道时那个只会表达自我情绪的敏感男孩，渐渐成长为眼神坚定散发光芒的音乐人。这次他将自己身为音乐人的责任感融入每首歌曲中，以己为媒，希望通过这些更具社会责任、更多元的音乐作品，引领听众去不断感受、不停提升。 打造“火星三部曲”，吟唱自我新篇章 这次新专辑中，华晨宇将《好想爱这个世界啊》、《疯人院》、《与火星的孩子对话》定义为「火星三部曲」。 《好想爱这个世界啊》是「火星三部曲」中的第一首，也是华晨宇专门为抑郁症群体所创作的。用阳光温暖世界，用理解驱散抑郁，用笑容迎接美好，爱这美好的世界、爱独一无二的自己。这首歌于2019年12月4日正式发布，至今为止创造了全网单曲销售量第一、全网单曲销售额第一等多项佳绩。截至2020年4月，最高销售额突破6357万元，销售量突破2119万张，购买人数超700万人。 《疯人院》是「火星三部曲」中的第二首。过多的规则与束缚，是疯狂前的静谧；逃离灵魂监狱，是疯狂时的解脱；渴望灵魂自由，是疯狂过后的沉思。抓耳的旋律和华晨宇空灵的嗓音，令人欲罢不能，唤醒心中深埋的疯狂，获得心灵的共鸣。 《与火星的孩子对话》是「火星三部曲」中的第三首，也是华晨宇和歌迷共同创作的一首属于他们的歌。歌曲采用对话的形式，华晨宇在歌曲中诉说着最真实的自己，歌迷在歌曲中给予他最大的鼓励，一说一应，倾诉彼此的心声，真挚感人。 《新世界NEW WORLD》是属于华晨宇的“全新世界”，是他个人成长理念的融入，也是他全新音乐三观的传达。希望每个游历《新世界NEW WORLD》的听众也都能感受到华晨宇独一无二的音乐以及其中蕴藏的深意。

听⻅春日，听⻅希望。 「明堂四季」特别企划 Vol.1 「明堂春日特辑：嘿！」来了！ 嘿！ 当春天弹出第一个音符， 让我们倒上一个威士忌shot， Everything will be alright， 大象蚂蚁和⻓颈鹿， 汽⻋⻜机和故事书， 万物都跑动了起来， 我们可以跳舞跳到夏天结束吗？ Is that OK? It’s OKAY！ 给我拥抱， 我的天使， 我们在月光沉醉的夜晚，听⻅希望。 ———————————————————————————— ✿ 明堂唱片 开启全新概念企划 「明堂四季」 明堂唱片在开启厂牌下一个十年之际，特别联合旗下音乐人与好朋友们推出「明堂四季」概 念企划，以“四季”作为创作主题，一年一张，每年一季。 每一季都将以当季为创作灵感，集体创作出一张充满当季氛围感的概念专辑， 四张美妙的迷你概念专辑将在未来四年里和乐迷陆续⻅面! 2020春季，「明堂四季」系列第一张「明堂春日特辑：嘿！」来了! ———————————————————————————— ✿ 散发着春日气息与希望光芒的「明堂春日特辑：嘿！」 作为「明堂四季」系列第一张，收录了白天不亮、地磁卡、56Loopy、夏之禹、 Vampoleez、陶乐然、Lu1、Major Yao、李丁丁等多位明堂唱片旗下重要音乐人与好朋友 DFM(混合杂质)与天秤Dav于今年新冠疫情下，宅家创作的多首以“春日”为主题的全新治 愈系作品，散发着春日的气息与希望的光芒。 ———————————————————————————— ❀ 第一章:春日序曲 by 白天不亮 ❀ Chapter 1:Prelude To Spring by Gavintoo 听⻅花开、听⻅微⻛、听⻅春日，听⻅希望; 都会浪漫电音代表白天不亮标志性浪漫声响谱写春日序曲。 ———— ❀ 第二章:这是一个问题 by 地磁卡 feat.DFM from 混合杂质 & 56Loopy ❀ Chapter 2:It’s A Question by Dizkar feat.DFM from Mixed Impurities & 56Loopy 春日总是惹人思考， 春日总是万物复苏的开始， 我们总是思考万物的起源在哪里? 地磁卡如春⻛般温柔的吟唱，融合DFM带有⻩金年代Hiphop节奏的云南方言说唱，与同⻔ 师弟56Loopy非常Smooth的萨克斯演奏，酿造出一个引人思考的威士忌shot。 ———— ❀ 第三章:万物起源 by 夏之禹 x Vampoleez ❀ Chapter 3:The Origin Of Everything by Zhiyu Shar x Vampoleez 大象蚂蚁和⻓颈鹿，汽⻋⻜机和故事书都来自哪里? 是那个叫凉宫春日的少女所创造? 或者这一切只是夏之禹遇⻅明堂最神秘低调的制作人Vampoleez的跨空间混乱对话? 别多想了。 不必在意眼前的混乱， Everything will be alright. ———— ❀ 第四章:嘘... by 陶乐然 ❀ Chapter 4:... Shhh by Dollarzoo 嘘... 混乱中也可以保持散漫吗? 宅在家里也一样可以跳跳舞吗? Is that OK? 备受瞩目电气R&B唱作人陶乐然签约明堂唱片首秀， 新曲「嘘 ... / ... Shhh」明堂春日特辑 独占曝光。 ———— ❀ 第五章:OKAY by Lu1 x MAJOR YAO ❀ Chapter 5:OKAY by Lu1 x MAJOR YAO It’s OKAY 慢慢走 It’s OKAY 摊摊手 It’s OKAY 看看手表 Take it slow It’s OKAY 换换口味 It’s OKAY 偶尔后悔 It’s OKAY 转转周围 Take it slow Lu1全新单曲「OKAY」，「明堂春日特辑：嘿！」独占抢先曝光版！ 明堂御用制作人MAJOR YAO给你拥抱全情制作。 ———— ❀ 第六章:Full Moon by 李丁丁 x 天秤 Dav ❀ Chapter 6:Full Moon by MIA AIM x Dav_z 谢谢你给我拥抱， 谢谢你给我抚慰， 谢谢你给我力量， You are my angel ❤ 新灵魂女伶与节奏音乐制作人好友Dav_z献给所有在疫情中守护我们的天使的月光小夜曲。 我们在月光沉醉的夜晚，听⻅希望。

裹挟着二十一世纪一十年代的漫长余音，Gatsby in a Daze的首张全长专辑《432》——终于在二十年代的第一个元宵节正式发布。节日所蕴藏的古典的团圆兴味自不用多提。这种“团圆”似出于自我，却心系他人；似无暇于时代，却沾满了时代的脚印。 专辑名为“432”一如上一张EP“(((”般懒气少言，恰好也便于闲者随想。 唱片的画作依旧来自乐队贝斯手(1334)。在“(((”里东倒的人不知踪影，西歪的兽也正在下沉，“432”留下了干净的线条勾勒出的景观，在幻梦异常之中井然成像。 顺序播放整张唱片，浓浓的混响让这个时空温温柔柔的，歌名与词都给出了一些具象的碎片。不知从何而来的感性;不知从何而来的理性；不非要明白为什么；不须说出个所以然。迷幻否、梦幻否？不幻，只有真实的迷，只有真实的梦。 十首歌，包含五种语言、各种节奏型与音阶走向，像一种数字时代的抽离与融合，不问原由。或许一种存在的本身的样子就是如此，是除音乐之外，图像和文字无法描述的。 晕乎的姿态，清晰的表达。“晕盖”及《432》这张处女唱片无疑是具有时代感的。热爱并创造着，经历着一如既往的年轻的忧伤，用一种也淡然也深情的方式敲打弹唱，这或许是面对时间的最好方式。 小我并不重要，但我却只拥有它。 编曲: Gatsby in a Daze 歌词: Pz & 1334 文案：李青 & blumer & Pz 封面: 1334 制作人: Pz & 李平 录音/混音/母带: 李平 & Gatsby in a Daze

“房间从某一程度来说是个人生活环境的映射，也代表着私密的空间。我们每个人生活在不同的频率之中——每天，我们在用着不同的惯用视角观察一切，接触生活的始端。” 偶见被遗弃在街边的家具，这意示着都市青年的频繁迁移。难以获取归属感的青年，在出租屋中辗转游离，他们难以称之为“家”，但那样一片空间却也成为唯一感到安全及保护的区域。家具散落在路边藏在偌大城市构成的房间之中，失落的年轻人们藏在自己的房间之中，也渐渐地，藏在自己封闭的内心之中。 漂在清醒也梦幻的夜晚，浮在熟悉也陌生的城市。每个人都把人类关系中的疏离与维持、矛盾的割裂感，一并打包带回房间进行独自消解。动物园钉子户也捕捉到了这样的情绪，在输出创作的同时却没有以沉闷阴郁的方式呈现，而是以明亮起伏的律动推动故事的行进，顺滑的合成器在声场中舒展为浪漫褪色的夜幕，熟悉的「钉子户式」吉他线条随性缀于其中，化作忽明忽暗的斑斓星点。 相比于动物园钉子户1.0，新EP [ 藏在你的房间 ] 削弱了Noise的部分，加入更为丰富的律动与细腻的Chillpop元素。整体的编曲更为成熟及饱满，在律动的间隙张弛有度且不显拥挤。在情感主题上，如果说1.0是躺在阁楼中懒散的青春记录，那么1.5便是努力褪去稚嫩和随意，混入了更多成熟的思考。 而这些思绪便藏在漂浮的房间之内，是不高兴的失落枕棉，是角落凹陷的空啤酒罐，是柜子缝隙露出尾巴淘气的猫，是窗外透进的绯红晚霞，从未见过的云飘散于空气之中。