Constellations is a two-hander play by the English playwright Nick Payne. It premiered at the Royal Court Theatre in early 2012, with Rafe Spall and Sally Hawkins in the lead roles. The play received strong reviews from critics and subsequently transferred to the Duke of York's Theatre in the West End. In November 2012 Constellations was named the winner of the best play category at the Evening Standard Theatre Awards, making the 29-year-old Payne the youngest winner of the award. In January 2013 Payne revealed that a film adaptation was under way.

他们相遇，他有女朋友； 他们相遇，他有妻子； 他们相遇，他们相爱了； 他们回她的房间，她赶他走； 他们回她的房间，她留他，但他走了； 他们同居了； 他们因为性格不合分手了； 他们因为没感觉分手了； 他们因为出轨分手了； 他们没有任何原因地分手了； 他们有了新伴侣； 他们又在一起了； 她得了癌症； 她没得癌症； 他挽留她，他们做好准备在一起了。

Based on Ibsen, Simon Stone writes and directs a grand family epic about the troublesome but inevitable coexistence of different generations under one roof.

【没有排练，没有导演，每一位演员只演出一次——】 《白兔子，红兔子》的演出规则，就是通过反常的表演流程，构成了一次充满未知的戏剧游戏。创作者伊朗作家Nassim Soleimanpour，因护照遭到伊朗政府扣留而无法出境。随后他开始将这样一出规则严密的作品发往世界各地，希望借由当地剧院的制作和演出，实现作品的世界“巡演”。 每一场表演必须由不同的演员来完成，每一位演员必须在表演开始前48小时内才能拿到指令，进行准备。不允许演员在表演前阅读剧本或者观看此剧，也不建议观众从任何方式得知此剧的内容。 演员将在舞台上撕开一个牛皮纸的口袋，第一次接触这个剧本，拿出一沓不太厚的纸开始读起来。就在演员平缓而并不戏剧性的朗读中，故事慢慢展开。这是一个没有由头却又丝丝入扣的故事，或者说一个寓言——所有观众认真扮演自己的角色。故事的矛盾在终点处达到高潮，却只留给每个人一个未解的问题离开剧场。 这部作品在2011年爱丁堡艺穗节首演，获得了Arches Brick 奖项，随后又在Clubbed Thumb夏季演出和都柏林艺穗节上分别获得“杰出新表演奖”和“最佳新表演奖”；作品已经被翻译成至少20种语言，在全世界表演超过1000余次。 2017年，中间剧场将第一次把作品以中文的形式带入中国演出。 【这是一次，没有，如果，的演出——】 此次《红兔子白兔子》的中文版本制作，邀请了戏剧导演杨婷参与策展，她带来的演员首发阵容则是阿雅，王子川，赵红薇。三位演员将在7月22日当天抽签决定出场顺序，连续带来三场戏剧游戏。 杨婷表示，准备这次策展的时候，她将自己放在表演者的角色中试读了一次，真的是什么都不知道，也不知道接下来要面对的是什么。这个作品确实有它的恐惧性，并没有那么的简单。而这样的表演，也许在演出过程中不会第一时间感受到全部，而演完之后再琢磨，会想当时这个地方这么演就好了，一定会留下很多遗憾。但是没有了，这是一次没有如果的演出。 【用， 一个作品， 与观众，谈一谈，规则——】 这是一个对于演员、制作方、观众都有严格约束的作品。在剧场内，观众禁止拍照、手机必须静音；在演出结束后，观众也不允许分享与演出内容直接有关的信息。如果不遵守这些基本观演规则，这部作品带来的体验对于被“泄密”的观众而言就将大打折扣。因此为了保证作品的演出效果，总策划满顶表示，“规则”是这次项目策划的核心出发点，为此主创和制作方将在作品自身的规则基础上增加另外一套游戏玩法，以应对作品泄密之后的处理，欢迎各位前来参与。

“Stars, hide your fires; Let not light see my black and deep desires.” A little later than now, in the ruins of a theatre, three witches make a prophecy. A warrior and his wife enter the darkness. A war begins. Yaël Farber directs James McArdle and Saoirse Ronan, in an elemental production about a world in transformation, the shadows in all of us, and one couple’s spine-chilling quest for power. Olivier Award-nominee James McArdle plays the title role of Macbeth. His highly acclaimed theatre roles include Louis in the National Theatre and Broadway production of Angels in America, Peter Gynt, Platonov and James I in The James Plays (National Theatre). His screen work includes HBO’s Mare of Easttown, Ammonite, Mary Queen of Scots and Man in an Orange Shirt. Four-time Academy Award-nominated Saoirse Ronan makes her UK stage debut as Lady Macbeth. She made her Broadway debut as Abigail Williams in The Crucible on Broadway in 2016 to glowing reviews and has been celebrated throughout her career for her performances in films including Atonement, Lady Bird, Brooklyn, and Little Women. Yaël Farber is an internationally acclaimed director and playwright, whose recent work includes Hamlet (St Ann’s Warehouse, New York); Blood Wedding (Young Vic), Knives in Hens (Donmar Warehouse) and Les Blancs (National Theatre).

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. The main character is the introverted Jude. His past is wrapped in a veil of mystery. Behind the façade of professional success, he lives with unresolved grief as a result of emotional neglect and sexual abuse during his childhood. It has left him with extreme distrust and a feeling of worthlessness. He finds release in compulsive automutilation, causing his body to become more and more exhausted. How do you live with trauma and pain? Jude has no family, his friends are everything to him. Nevertheless, he finds it impossible to share his past with them. The closer someone gets, the more difficult it is for him to talk about it. For Jude, openness and surrender are equal to abuse. In a constellation like that, intimacy becomes an impossible task. Can friendship provide compensation for the incurred damage? Is it possible to have a romantic relationship without sex? What is love actually able to do? Jude’s friends are facing a dilemma. How can you help someone who doesn’t want to be helped, while realizing you’re not a real friend if you don’t try to help?

民国二十二年春，南京江宁。 狱中的程无右明日就要被开庭审判，友人卢泊安深夜来访，为他带来了一位意想不到的辩护律师、昔日故交郎世飖。三人少年时曾是无话不谈的知己、棋友和对手，却在二十年间彼此疏离反目。 这一场特殊的辩护能否继续？棋盘之上，胜负难断；暗室幽微，火光分明。

巴塞尔剧院、巴伐利亚国家话剧院、慕尼黑王宫剧院联合制作，由马克斯·弗里施《十二个场景的歌谣》改编。 一位银行职员把一个看门人砸死了：没有理由，没有动机。这个杀人犯和他 "无意义 "的行为使负责指控的总检察长毫无办法。在疯狂的冲动下，他失去了自己井然有序的生活，成为一个挥舞斧头的杀人犯，发起了一场反对社会政治现状的血腥运动。斯特凡·巴赫曼以极具感染力的画面和超现实的夜惊游行，上演了这场文明的噩梦、暴力的狂潮。在剧中，演员蒂莫·施特鲁岑伯格饰演的角色已经分不清清醒的梦境和慌乱的现实。

这是一部真正让人毛骨悚然的舞台剧，该剧编剧Ira Levin是制造恐怖悬疑的高手，如同他的电影杰作《魔鬼圣婴》与剧作杰作《死亡陷阱》，观众随着剧中的主人公游走于现实和幻觉之间，被引入一个谋杀的阴谋布局中。该剧发生在波士顿市郊的一所“与世隔绝”的庄园中。一个年轻女子苏珊娜和她新交男友Larry在镇上旅馆中邂逅一对自称为Mackeys的中年夫妇，他们被这对自称是Brabissant家仆人的夫妇带进了庄园中的一间已尘封多年的房间。因为苏珊娜酷像已经死去的Veronica，Mackeys极力说服她扮演Veronica一阵子，去安慰Veronica手足同胞Cissie——Brabissant家唯一存活至今的孩子，在生命临终时还惦记着她姐姐是否能原谅她。善良的苏珊娜接受了他们的请求答应帮这个忙，但是就在当年Veronica生活的房间里，当她换上Veronica的衣服后，一切都发生变化了，苏珊娜陷入了一个阴谋之中。谋杀...谎言...极尽疯狂的犯罪...她的真实身份是谁？1972年的苏姗娜？还是1935年的维罗尼卡？

1958年，伊利诺斯州Joliet监狱，Nathan Leopold第五次面对假释委员会。他终于说出了三十五年前把他送进监狱的“世纪犯罪”的事实（唱段：WHY）。这一次，为了获得释放他揭露出比以往任何一次更多的内幕。在他的记忆中，事情要追溯到1924年的芝加哥，当时他还是一个19岁的男孩。他和Richard Loeb是一对分享友谊，性爱和一些轻微犯罪行为的同窗好友。夏天结束后他们即将进入不同的法学院而面临分离，Nathan急切渴求Richard保持两人的关系，而Richard却表现得漫不经心（唱段：Everybody Wants Richard）。Richard引诱Nathan参与他今晚要实施的一起对废弃仓库的纵火，Nathan只得屈从（唱段：Nothing Like a Fire）。 第二天，Nathan恳求Richard停止犯罪活动，而Richard却只一味贪婪地阅读尼采的书籍，并提议两人签署一份书面合同（唱段：A Written Contract），内容包括Richard将满足Nathan一切情欲方面的需求，但条件是Nathan必须协助他完成一些微不足道的小犯罪。Nathan虽然很不情愿，但还是答应了。他们以血签下契约，开始持续尝试各种各样的犯罪活动，直到Richard厌倦了这些不痛不痒的小罪行，开始谋划一场超级犯罪，他想要杀死自己的弟弟John，但遭到Nathan的反对。Nathan指责Richard没有好好履行协议，Richard为了得到Nathan的帮助做出了妥协，并满足了Nathan的欲望（唱段：Thrill Me）。Richard最终决定进行一场无差别谋杀和虚假的赎金交易，对象是一个素不相识的男孩（唱段：The Plan）。Richard坚称，凭借他们的智慧和细致的策划，绝不会被警方查到蛛丝马迹。为了不触怒Richard，Nathan别无选择，只能同意。 场景回到1958年的Joliet假释委员会，Nathan回忆起案发当时矛盾复杂的感受（唱段：Way Too Far）。Richard准备了谋杀器具：绳子，撬棍和硫酸。Richard诱使受害者坐上他的跑车后实施了谋杀（唱段：Roadster）。清理犯罪现场时，Richard颂赞着超级犯罪的美德（唱段：Superior），令Nathan不寒而栗。回家后，他们继续实施赎金计划（唱段：Ransom Note），但意想不到的是尽管他们已精心部署，发现尸体的报导还是于第二天见诸报端。随后Nathan丢失的眼镜又被发现在犯罪现场附近。Nathan恐慌地给Richard打电话，Richard在电话里竭力安抚他（唱段：My Glasses/Just Lay Low）。当警方最终通过眼镜追查到Nathan，Richard帮助他编造紧急托辞和教练他如何应对警察的盘问（唱段：I'm Trying to Think）。 但当Nathan顺利应付了警察之后，Richard提出了分手，理由是为了确保自己未来律师的仕途。他将一切责任推卸在Nathan遗落了眼镜的错误上。Nathan感觉遭到了Richard的背叛，于是与检察官达成交易，供出主犯Richard以此来换取减刑。 被捕后，Richard发现没有其它出路，于是再次用自己的魅力诱惑Nathan，说服他放弃和检察官的交易，和他一起分担罪行，接受同样的惩罚（唱段：Keep Your Deal With Me）。在等待宣判的牢房里，Richard的喃喃自语被Nathan听到，原来他外表虽然始终表现得很强劲，内心却非常害怕被判死刑（唱段：Afraid）。最终由于他们的律师Clarence Darrow的狡猾策略，他们逃脱死刑，被判监禁。 在监狱里，Nathan终于揭示了自己那令人震惊的计划：因为害怕失去Richard，他参与了谋杀，但在谋杀的整个过程中他都事先留下线索，甚至故意把眼镜遗落在现场，他知道只有这样才能确保Richard和他永远在一起，或者至少是（唱段：Life Plus 99 Years）。 如今整个真相终于大白，在Richard和Nathan的这场角逐中，最终的胜利属于Nathan，但这样的胜利却又是苦乐参半，因为Nathan在服刑35年后获得假释，而Richard却已在几年前被监狱里的犯人所杀，离开监狱后Nathan必须独自面对外面的世界（唱段：Finale）。。。。。。 It is 1958 at Joliet Prison, Illinois, where Nathan “Babe” Leopold faces the Parole Board for the fifth time. He tells them the facts of the “crime of the century” that sent him to prison thirty-five years earlier ("Why"). But this time he reveals more than ever, hoping it will lead to his release. In his memory, he goes back to 1924 Chicago, where, as a nineteen year old boy, he anxiously meets up with Richard Loeb, a classmate with whom he has shared friendship, sex and participation in minor crimes. Richard, who has been away at college, treats Nathan indifferently. Nathan begs to renew their relationship before separating again after the summer to attend different law schools ("Everybody Wants Richard"). Richard relents and allows Nathan to join in his activity for the evening – setting an abandoned warehouse on fire. In front of the blaze ("Nothing Like a Fire"), which arouses Richard, Nathan finally gets what he wants. The next day, Nathan implores Richard, who is voraciously reading Nietzsche, to stop the criminal activity. Instead Richard, now empowered by the theory of the Superman, threatens to drop Nathan completely unless they create "A Written Contract" detailing that Richard will satisfy Nathan’s sexual needs only in exchange for Nathan’s expertise as his accomplice in petty crimes. Reluctantly, Nathan agrees. They sign in blood and their crime spree continues until Richard fails to live up to his end of the agreement ("Thrill Me"). Richard explains that he is bored with the misdemeanors and wants to commit a “superior” crime: the murder of a young boy ("The Plan") and a phony ransom scheme after the killing. Richard insists that their intellect and meticulous plotting will prevent them from being caught. Nathan has no choice but to agree or risk Richard’s wrath. Back in 1958 at Joliet before the Parole Board, Nathan explains his feelings ("Way Too Far") as he recalls how Richard prepared the murder weapons and supplies: rope, a crowbar and a bottle of acid. Richard lures the victim by promising a ride in his "Roadster". While cleaning up the murder scene, Richard extols the virtues of being "Superior" to a shaken Nathan. Back at Richard’s house they compose the bogus "Ransom Note" and proceed with their plans. The next day, the newspapers reveal that, despite their careful planning, the body has been found. As a few more days go by, Nathan’s missing eye-glasses are discovered near the scene of the crime. While Nathan panics, Richard tries to calm him ("My Glasses/Just Lay Low") over the phone. When the glasses are eventually traced to Nathan, Richard helps him concoct an emergency alibi and coaches him in how to answer the cops ("I'm Trying to Think"). After Nathan is successful with the police, Richard declares their relationship over so he can protect his future as a lawyer. He reminds Nathan that everything would have been fine if the glasses hadn’t been dropped. Feeling betrayed, Nathan cuts a deal with prosecutors, turning in Richard in exchange for a lighter sentence. When arrested, Richard realizes there is no way out and works his charms on Nathan ("Keep Your Deal With Me") by convincing him to give up the deal and accept the same punishment. While awaiting the penalty trail in his jail cell, Richard doesn't realize Nathan can hear him muttering to himself that he is truly "Afraid" despite his strong façade. Thanks to the cunning strategies of their lawyer, Clarence Darrow, they escape the death penalty and are sentenced to prison. Behind bars, Nathan finally reveals his own shocking plan: fearing the loss of Richard, he went along with the murder but stayed one step ahead the entire time, even deliberately planting his glasses, knowing that all this would ensure his desire to be together forever, or at least for "Life Plus 99 Years". Now that the whole truth has finally been exposed, back at Joliet prison Nathan is granted parole. It is a bittersweet victory; since Richard was murdered by another inmate years before, Nathan must face the outside world alone ("Finale").

《暗恋桃花源》讲述了一个奇特的故事：“暗恋”和“桃花源”是两个不相干的剧组，他们都与剧场签定了当晚彩排的和约，双方争执不下，谁也不肯相让。由于演出在即，他们不得不同时在剧场中彩排，遂成就了一出古今悲喜交错的舞台奇观。“暗恋”是一出现代悲剧。青年男女江滨柳和云之凡在上海因战乱相遇，也因战乱离散；其后两人不约而同逃到台湾，却彼此不知情，苦恋40年后才得以相见，时以男婚女嫁多年，江滨柳以濒临病终。“桃花源”则是一出古装喜剧。武陵人鱼夫老陶之妻春花与房东袁老板私通，老陶离家出走桃花源；等他回武陵后，春花已与袁老板成家生子。此时剧场突然停电，一个寻找男友的疯女人呼喊着男友的名字在剧场中跑过…《暗恋桃花源》一剧以奇特的戏剧结构和悲喜交错的观看效果闻名于世，被称为【表演工作坊】的“镇团之宝”。

15年前，一夜不被认可的两性关系，40岁的雷被逮捕入狱，而12岁的于娜从此活在了别人的议论之中。 15年后，出狱后的雷重创了“崭新”的人生。然而于娜的突然到访，让他不知所措。相遇后的两人试图回顾那一夜被掩盖的真相——究竟是无情的抛弃？还是命运的捉弄？愤怒、好奇、困惑充斥着于娜的世界；但她对雷执着的依恋似乎并未消退。——“今夜，她究竟为何而来？”

（本剧剧情设置在重庆，除普通话外有重庆方言对话） 一对怪异的母女，一段被掩盖了六年的真相。 她们隐瞒了一 切，却逃不过邻居偷窥的双眼。 突如其来的命案，令一 切浮出水面， 无常的命运令母女俩再次陷入困境。 当凶手终于被绳之以法，一场新的谋杀却正在暗中酝酿……

East London school teacher Kyra Hollis is visited on the same night by son Edward and father Tom Sargeant. Kyra had been living with the Sargeant family years earlier, but left after her affair with Tom was discovered by Tom's wife, who has since died. Edward now accuses Kyra of having left him as well, as he saw her as a big sister; and he demands to know why she left his life. Shortly thereafter, Tom, a wealthy restaurateur, with real life references to Terence Conran, appears unheralded and for no apparent reason. Kyra's less than glamorous lifestyle leads him to poke fun at her to the point of insult, accusing her of self-punishment. After Kyra cooks a spaghetti dinner (which the actress actually cooks on stage), the talk turns to their relationship, and it becomes clear that their chances to be rekindled rest on whether one of them can change their preconceived notions of the other.

“如果永恒缺席，我们是否应该短暂醉入” 生活中很多无序的偶然都会成为永久的刻痕，俗世浅梦，来去一样，却不可替代。 舞蹈作品可以宏大叙事，也可以描绘细小的情感。而我想做的，就是这样一部可以唤起“破碎的心动”，并带来“美好的悲伤”的作品, 它有着真实的拙劣感，也有着呛人的泥土味，既不繁华，也不寡淡。 ——朱凤伟

故事讲述了4岁时的玛蒂尔达就已经把家里的书读完了，但基本上都是杂志，因为她那个经商的爸爸和嗜赌的妈妈根本不读书，所以也想不到为异常聪明的女儿买书读。还是玛蒂尔达自己提出上学的要求，父母才把她送进康琴小学。校长特拉奇布尔小姐投铅球出身，哪个学生不听话，她就把孩子像铅球一样投出墙外。全校师生都生活在她的阴影之下，玛蒂尔达也不例外。虽然不如意事十之八九，但一年级老师汉妮小姐是小女孩心头的一缕阳光……

担任全剧"主述"的游唱诗人葛林果，是吉普赛女郎艾斯梅拉达(Esmeralda)有名无实的丈夫，艾斯梅拉达出于同情心，为了让他免于被族人处死才允诺和他结婚。 天生畸形、被巴黎圣母院收容而担任敲钟人的加西莫多(Quasimodo)，以及圣母院的副主教弗罗洛(Frollo)与侍卫队的队长腓比斯 (Phoebus)，都情不自禁地爱上了美丽的艾斯梅拉达。一生侍奉天主的弗罗洛，明知男女之爱是神职人员的禁忌，仍然难以自拔。而腓比斯虽然已有娇美的 未婚妻百合(Fleur-de-Lys)为伴，却因为生性风流而意图染指艾斯梅拉达。加西莫多自惭形秽，只能把爱意深埋心中。艾斯梅拉达爱上了腓比斯，引 起弗罗洛的妒恨，他趁着艾斯梅拉达与腓比斯幽会时，刺伤了腓比斯，然后嫁祸给艾斯梅拉达，要胁她以身相许，否则就要将她处死。她拒绝服从，被送上了绞刑 台。 加西莫多奋不顾身到法场劫人，把她藏在圣母院中。不久，吉普赛人的领袖克洛潘率众攻打圣母院，意图解救艾斯梅拉达。腓比斯率领卫 队击溃了吉普赛群众，克洛潘被杀，葛林果取代了领导人的地位。 自知无力对抗军队的加西莫多，让弗罗洛把艾斯梅拉达交给腓比斯，因为他以为腓比斯是来解救她的。未料及腓比斯由于不敢再触怒未婚妻，而宣布将艾斯梅拉达处 死。 悲愤之中，加西莫多把弗罗洛从钟楼顶端推下，然后去解救艾斯梅拉达，只可惜为时已晚。 他哀求刽子手的同意，抱走了艾斯梅拉达的遗体，躲藏在巴黎公墓的地窖里，为艾斯梅拉达以死殉情。

《成都偷心》是孟京辉继中国首部浸没式戏剧《死水边的美人鱼》后，打造的又一大胆的流动空间艺术计划，也是一场集表演艺术、空间视觉艺术、声音艺术、摄影艺术、多媒体影像、音乐、现代舞蹈等多元艺术形式融合的多维美学呈现。 《成都偷心》以城市与感官的交织融合作为戏剧谜题，在多线叙事和碎片化的时空里塑造全新的“爱情未来主义”。故事分为怪物、苹果、乌鸦三条主线，一场关于爱情的幻梦，每个人都能看见自己。 【怪物】 博士福斯是一个天才科学家，他像上帝一样热衷为这个世界创造新物种：人造人。他邀请所有人见证他最新的作品——媛媛。媛媛有着迷人的声线，曼妙的身形，能够哭喊、沉默，随心所欲，干这干那，除了情感系统中的爱情方向被牢牢封锁。然而欲望在媛媛体内滋生，博士逐渐失去对媛媛的控制。这时，博士口中的“垃圾”，不完美的人造人“怪物”找上门，向他索取一个同类、一个朋友，并用博士的未婚妻雪穗和妹妹茉莉做要挟……在一个愤怒嘶吼的夜晚，博士和怪物厮打在一起，博士终结了怪物，而目睹一切再度现身的媛媛，让一切并未就此结束…… 【苹果】 六个男女之间的反复关系，一段彼此追逐又相互厌倦的爱情故事。医生风流倜傥，心思细腻而深邃。露露有三颗牙齿在痛，在一个夜晚戴上黑翅膀。大芝麻将蚂蚁带回家研究，不断爱上新的人。小芝麻在阿拉伯买了羊毛衫，想在春天爱上一个人。浪子心口如一，说自己只能待一分钟。玛丽亚让医生帮他，在来得及之前阻止悲剧发生……在爱的游戏里，他们试探和接近，出现又离开，但他们心里有同一个疑问：躺在身边的这个人，真的是他们想念的那个人吗？ 【乌鸦】 孪生姐弟海藻和海枫，因为父母离婚而被迫分开。多年后，他们有了感人的重聚。治疗医师尚远，痴迷于用小动物做实验，但唯独没有对人做过实验。对实验的渴求，让尚远接近海藻和海枫。然而，现实冷不防地让尚远陷入疯狂，原本冷漠的心变得炽热。于是，三人间的关系暗流涌动，欲望犹如野兽脱笼而出……而一个正在玩乌鸦拼图游戏的神秘女人的出现，让所有人的秘密面临被揭露的危险……