Published in 1967 and then extensively revised in 1978, The Ninth Configuration is a fascinating look at madness, philosophy, and the nature of religious belief. Both The Ninth Configuration and Twinkle, Twinkle 'Killer' Kane have been out of print for decades, but this new edition combines both novels with a long essay by Mark Kermode.

In one of his finest achievements, Nobel Prize winner Saul Bellow presents a multifaceted portrait of a modern-day hero, a man struggling with the complexity of existence and longing for redemption. Introduction by Philip Roth

First came the news that a flying saucer had landed in Iowa. Then came the announcement that the whole thing was a hoax. End of story. Case closed. Except that two agents of the most secret intelligence agency in the U.S. government were on the scene and disappeared without reporting in. And four more agents who were sent in also disappeared. So the head of the agency and his two top agents went in and managed to get out with their discovery: an invasion is underway by slug-like aliens who can touch a human and completely control his or her mind. Sam Cavanaugh was one of the agents who discovered the truth. Unfortunately, that was just before he was taken over by one of the aliens and began working for the invaders, with no will of his own. And he has just learned that a high official in the Treasury Department is now under control of the aliens. Since the Treasury Department includes the Secret Service, which safeguards the President of the United States, control of the entire nation is near at hand...

Kim Stanley Robinson's Mars trilogy is one of science fiction's most honored series, with Red Mars winning the distinguished Nebula Award, and both Green Mars and Blue Mars honored with the Hugo. A modern-day classic of the genre, this epic saga deftly portrays the human stories behind Earth's most ambitious project yet: the terraforming of Mars. Now, following the publication of his acclaimed adventure novel, Antarctica, Robinson returns to the realm he has made his own, in a work that brilliantly weaves together a futuristic setting with a poetic vision of the human spirit engaged in a drama as ancient as mankind itself. From a training mission in Antarctica to blistering sandstorms sweeping through labyrinths of barren canyons, the interwoven stories of The Martians set in motion a sprawling cast of characters upon the surface of Mars. As the planet is transformed from an unexplored and forbidding terrain to a troubled image of a re-created Earth, we meet men and women who are bound together by their experiences on Mars and with each other. Among them are Michel, a French psychologist dazzled by the beauty around him; Maya, a woman whose ill-fated love affairs lead to her first voyage to Mars; and Roger, a tall Martian-born guide who lacks social skills but has the courage to survive on the planet's dangerous yet strangely compelling surface. Beginning with the First Hundred explorers, generations of friends, enemies, and lovers are swept up in the drama that is Earth's tenuous toehold on Mars. International exploration turns into world building; world building degenerates into political conflict, revolution, and war. Following the strands of these lives and events, in an age when human life has been extended for decades, The Martians becomes the story of generations lived on the edge of the ultimate frontier, in a landscape of constant man-made and natural transformation. This new masterpiece by Kim Stanley Robinson is a story of hope and disappointment, of fierce physical and psychological struggles. Both deeply human and scientifically cutting edge, The Martians is the epic chronicle of a planet that represents one of humanity's most glorious possibilities. A Letter from Kim Stanley Robinson: "When I finished Blue Mars, I realized I wasn't done with Mars yet.  There were things I still wanted to say about the place, and about my characters from the trilogy, and there were a number of sidebar stories and characters that had found no place in the trilogy's structure.  I also had a couple of precursor Mars stories that did not fit the trilogy's history--'Exploring Fossil Canyon' and 'Green Mars'--and I had held these out of my earlier story collections thinking they belonged with the Mars group." So all this material was there, and as I wrote Antarctica, I found myself drawn back into the matter of Mars repeatedly, by the discovery of possible life in meteorite AHL8004 and by the Pathfinder landing.  I decided to make a collection of Martian tales, and as I put them in roughly chronological order, I saw that they seemed to be adding up to their own larger story, functioning as the trilogy's 'unconscious' or 'secret history'.  Using all kinds of modes, from folk tales to scientific articles, from personal accounts to the full text of a constitution, I arranged things so that the book altogether tells the story of an underground and hard-to-see resistance to the terraforming described in the trilogy proper.  I had a great time doing these stories, and hope they add up to my own version of a Martian Chronicles."

William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams's luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

The red planet is red no longer, as Mars has become a perfectly inhabitable world. But while Mars flourishes, Earth isthreatened by overpopulation and ecological disaster. Soon people look to Mars as a refuge, initiating a possible interplanetary conflict, as well as political strife between the Reds, who wish to preserve the planet in its desert state, and the Green "terraformers".The ultimate fate of Earth, as well as the possibility of new explorations into the solar system, stand in the balance. 西元2128年，火星解放了。他们推翻了地球的统治，避开了一触即发的内战，创立了全新的宪法与政府，名副其实的自由火星诞生了。在行政议会与全球环保法庭的治理下，火星展开一连串的建设，红火星已成往事，如今，这颗星球一片生机盎然的绿意，甚至出现了蔚蓝的海水与天空，一个完美的乌托邦。 然而，与此同时，地球经历了洪水肆虐，文艺复兴，以及随之而来的人口爆炸。移民、移民、再移民，从地球、到火星、到整个太阳系。人口问题使地球与火星之间弥漫著一股紧张、危险的气氛，在这个超快速的黄金时代，人们不安地等待著崩溃的巨响……

Stories of Your Life and Others is a collection of masterpieces and recently it has taken Hollywood by storm. The lead story in the collection will soon to be a major motion picture starring Amy Adams, while another story has been optioned by Fox and is in development. Offering readers the dual delights of the very strange and the heartbreakingly familiar, Stories of Your Life and Others presents characters who must confront sudden change. In the amazing and much-lauded “Story of Your Life,” a grieving mother copes with divorce and the death of her daughter by drawing on her new knowledge of an alien language and its nonlinear structure. In “Liking What You See: A Documentary,” a clever pastiche of news reports and interviews chronicle a college’s initiative to turn off the human ability to recognize beauty. In “Understand,” a young man has an amazing reaction to an experimental drug used to heal brain damage. In each story, with sharp intelligence and humor, Chiang examines what it means to be alive in a world marked by uncertainty, but also by wonder.

A compelling novel of desire, secrecy, and sexual identity, In One Person is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Not least, it is an intimate portrait of the solitariness of a bisexual man who is dedicated to making himself “worthwhile.” Beginning with his first love—an older, transgender woman—and including the classmates and lovers he will lose to AIDS, William Abbott makes an unforgettable statement about sexual repression in America.

In his most ambitious project to date, award-winning author Kim Stanley Robinson utilizes years of research and cutting-edge science in the first of three novels that will chronicle the colonization of Mars. For eons, sandstorms have swept the barren desolate landscape of the red planet. For centuries, Mars has beckoned to mankind to come and conquer its hostile climate. Now, in the year 2026, a group of one hundred colonists is about to fulfill that destiny. John Boone, Maya Toitavna, Frank Chalmers, and Arkady Bogdanov lead a mission whose ultimate goal is the terraforming of Mars. For some, Mars will become a passion driving them to daring acts of courage and madness; for others it offers and opportunity to strip the planet of its riches. And for the genetic "alchemists, " Mars presents a chance to create a biomedical miracle, a breakthrough that could change all we know about life...and death. The colonists place giant satellite mirrors in Martian orbit to reflect light to the planets surface. Black dust sprinkled on the polar caps will capture warmth and melt the ice. And massive tunnels, kilometers in depth, will be drilled into the Martian mantle to create stupendous vents of hot gases. Against this backdrop of epic upheaval, rivalries, loves, and friendships will form and fall to pieces--for there are those who will fight to the death to prevent Mars from ever being changed. Brilliantly imagined, breathtaking in scope and ingenuity, Red Mars is an epic scientific saga, chronicling the next step in human evolution and creating a world in its entirety. Red Mars shows us a future, with both glory and tarnish, that awes with complexity and inspires with vision.

Claire Newbold is not your typical heroine. Smart and sexy, yes, but she's also been known to sneak into a hotel room or two without paying, seduce a teenager in wet bathing trunks, and just check out of things altogether--like her job. And her marriage. No wonder, though. Claire's been careening off heartbreak. Her only child has died, she may be infertile, and her husband has had an affair. No longer a mother, not sure she wants to be a wife, Claire moves from hotel to hotel, basking in the anonymity of travel and forbidden sex. She even comes to believe she is clairvoyant, able to "read" into the souls of others. Eventually she begins to see into her own soul as she ponders whether or not to return home. As she struggles to repair her marriage and her life, Claire surprises herself -- and us -- by emerging with a new sense of redemption.

《冠军早餐•囚鸟》中的两部作品是美国后现代派作家冯内古特在七十年代的佳作。《冠军早餐》是一部荒诞的反传统小说。经常在冯内古特作品中露面的科幻小说家基尔戈·特劳特与汽车代理商德威恩·胡佛是两部有生命的机器，他们生活在一个叫地球上一个简称美国的国家里。他们都有一些毛病，在不时在书中露面的作者的安排下会面了。读者可以在这一过程中看到作者以诙谐、夸张的语言叙述的一个疯狂世界。作者自绘的插图也是小说的一大特色。《囚鸟》以主人自述形式，描写了一个三次出入监狱的老犯的一生，中间穿插了大萧条、二次大战、朝鲜战争、麦锡主义、水门事件等历史插曲，以黑色幽默手法，嘲讽社会现实，收到特殊的社会效果。

冯内古特及其小说依然健在 （代 译 序） 在本世纪末出版与回顾６０年代走红的冯内古特及其小说，审视他９０年代最后的作品，对我们全面公正地评价这位著名的美国小说家是一个最为合适的时机。 从冯内古特的处女作《自动钢琴》（１９５２年）到他的封笔之作《时间震》（１９９７），历时四十多年，我们清楚地看到他一直保持着他独有的艺术特色，如果用他也许喜欢的数学公式来概括的话，那便是：科幻＋讽喻＋幽默。他在大学里攻读的是生物化学，毕业后一直关注当今的科学发展，对此十分熟悉和在行，可以说与他齐名的后现代派作家约翰·巴思、托马斯·品钦、约翰·霍克斯、罗伯特·库弗等人在这方面不能与他比肩。冯内古特有一度甚至被视为一般的科幻小说家而遭评论界冷落。深刻洞察世界和美国社会的冯内古特在他的代表作《五号屠场》（１９６９）发表以后，才摘掉了他极其讨厌的科幻小说家的帽子。科幻是他用来鞭挞社会丑恶现象的手段，一个得心应手的工具。他嫉恶如仇，对美国社会出现的种种弊病进行深刻的揭露，辛辣的讽刺，有时显得玩世不恭，有时又诙谐成趣，但他骨子里对人类的命运和前途有着浓厚的忧患意识，悲观失望的情绪常常主宰了他。他生性幽默，他的幽默却常常染有阴郁的色彩，这就是批评家们所称的黑色幽默。黑色幽默在《五号屠场》里最典型，如同在约瑟夫·海勒的《第二十二条军规》里一样。通察冯内古特一生的主要小说，如今说他是黑色幽默大师，在评论界不会有什么疑义。如果有的话，也许冯内古特本人仍不会首肯。但历史告诉我们，对一个作家的定论往往并不取决于他（她）本人同意与否。 现在换一个视角，来看看冯古内特在文学史上所占的地位，也许会更全面一些。且看雷蒙德·费德曼（Ｒａｙｍｏｎｄ Ｆｅｄｅｒｍａｎ）在他的《内省小说》（ＳｅｌｆＲｅｆｌｅｃｔｉｖｅＦｉｃｔｉｏｎ， １９８８）里是怎样看待冯内古特及其作品的，他说： ５０年代的小说多数把二次大战美化为一场好战争，必要的战争，甚至是一次伟大的冒险，尽管它有许多悲剧的方面。例如：我们会想起詹姆斯·琼斯的《从此地到永远》、欧文·肖的《幼狮》、诺曼·梅勒的《裸者与死者》、赫尔曼·沃克的《凯恩叛乱事件》以及其他许多鼓舞人心的小说。这类小说现在正被滑稽嘲弄的新小说揭去神秘的面纱而遭损。《第二十二条军规》当然是最明显的例子，但托马斯·品钦的《Ｖ》（１９６３）、冯内古特的《黑夜母亲》（１９６１），特别是他的《五号屠场》（１９６８）、杰兹·科辛斯基的《彩鸟》（１９６５）和约翰·巴思的《贾尔斯代人受过的小伙子》（１９６６）也把美国当代史嘲笑为荒唐的闹剧。 这些小说对历史事件的官方定论提出质疑。在多数情况下，这些小说里的主人公们似乎在寻找他们生活里和行动中正失去的连贯性。这些小说家多数对他们曾经推波助澜过的历史事件与自己的关系所持的立场与观点正加以修正，以他们自己小说里叙述者兼主人公的双重身份进行内省或反思。 费德曼把冯内古特列入６０年代崭露头角的内省小说或反思小说家群，或后现代派小说家群。马尔科姆·布雷德伯里（Ｍａｌｃｏｌｍ Ｂｒａｄｂｕｒｙ）则在他的《新现实主义小说》（ＮｅｏｒｅａｌｉｓｔＦｉｃｔｉｏｎ）一文里称冯内古特为新现实主义小说家，他说： 像那时（６０年代）的文学批评和哲学一样，小说发现自己已露衰败的征兆，背着下滑、词语危机、能指与所指错位感的重负。有一度这似乎表明严肃文学现实主义的终结，虽然整个“后现代”阶段依然存在着现实主义与超小说悖论的矛盾，其矛盾不仅存在于后现代小说和较为传统的形式之间，而且也存在于巴思、冯内古特、品钦、霍克斯、库弗的超文本的本身之中。 布雷德伯里用新现实主义去界定冯内古特及与其相似的作家，用超小说概括这批作家的小说艺术特色，说白了，就是：他们关注现实社会，但他们审视社会的视角，表现社会生活的手法，均迥异于传统的现实主义作家。新现实主义作家所反映的现实，好比哈哈镜里所反映的现实。你从哈哈镜里所看到的一切，难道不使你感到能指与所指大大地错位吗？所谓后现代小说，其最大的特色也在于此。冯内古特的艺术创新也在于此。综观冯内古特的整个小说创作生涯，从褒义上讲，他保持了鲜明的艺术特色；从贬义上讲，他在９０年代艺术探索上无新的进展，而是重复他在６０年代建立起来的艺术手法。 不过，即使在９０年代的今天，若从内省、新现实主义、黑色幽默等角度来研读他的《五号屠场》、《上帝保佑你，罗斯瓦特先生》和其他小说，我们的读者依然能获得审美愉悦，我们的作家更能从中获得艺术创新的启迪，领悟冯内古特为何能“通过文学改变了整整一代人的生活方式和思维方式”的道理。现在可以断言，冯内古特作为６０年代涌现出来的一位后现代派经典作家，一位黑色幽默大师在美国文学史上的地位，而今很少会有人对此质疑了。 紫 芹 南京南秀村陋斋 １９９８年６月１０日

在线阅读本书 A classic work that has charmed generations of readers, this collection assembles Carson McCullers's best stories, including her beloved novella "The Ballad of the Sad Café." A haunting tale of a human triangle that culminates in an astonishing brawl, the novella introduces readers to Miss Amelia, a formidable southern woman whose café serves as the town's gathering place. Among other fine works, the collection also includes "Wunderkind," McCullers's first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist.

‘If you care about something you have to protect it. If you’re lucky enough to find a way of life you love, you have to find the courage to live it.’ Eleven-year-old Owen Meany, playing in a Little League baseball game in Gravesend, New Hampshire, hits a foul ball and kills his best friend's mother. Owen doesn't believe in accidents; he believes he is God's instrument. What happens to Owen after that 1953 foul ball is both extraordinary and terrifying.

劫機犯的空中獨白，精彩的倒敘手法，原本已確定改拍電影，卻遭逢911事件而宣告終止。諸多揣測這本書間接刺激恐怖行動的發生！ 「耶穌的痛苦如果沒有人目擊的話，我們的罪惡會得到救贖嗎？救贖的關鍵就在於可以獲得多少人的注目，能吸引多少的鎂光燈－－也就是收視率、曝光度、知名度、特派記者的數目。要區別自殺或殉教的唯一差別，就是媒體的注目程度。」 在燃料即將見底，引擎一個個停止的飛機駕駛艙之中。他對著黑盒子訴說一生，並迎接死亡－－一個出身於與世隔絕的教會組織的男人，到社會進行侍奉活動時，意外錯過教會的集體自殺行動……活下來的他，意外被媒體捧為新寵兒。十年後，當年集體自殺事件生還的一百多名倖存者，僅剩下六個人了……他們是自殺，抑或是被人殺害……？ 《鬥陣俱樂部》作者，反諷媒體亂象的黑色幽默經典。 測試、測試、一、二、三。 你現在所聽到的，是二○三九號班機黑盒子的錄音，現在飛機上只有我一個人而已。 我挾持了這架波音七四七， 當燃料耗盡之後，飛機將以每秒三十二英呎的速度衝向地面。 這個世界上不會有人記得我。 然而，當飛機墜毀後，我的故事一定會被發現。 新聞媒體說我是聖潔的救世主，說我是信奉邪教的連續殺人犯－－接下來，我會是劫機的恐怖份子。 那些都不是真的。 關於我為什麼會在這裡，以及倖存者為何只剩下我一人， 還有幾個小時， 應該夠我把事情從頭說完一遍。 測試、測試、一、二、三。 如果你聽得到的話， 請聽我說－－

Dean Koontz’s unique talent for writing terrifying thrillers with a heart and soul is nowhere more evident than in this latest suspense masterpiece that pits one man against the ultimate deadline. If there were speed limits for the sheer pulse-racing excitement allowed in one novel, Velocity would break them all. Get ready for the ride of your life. Velocity Bill Wile is an easygoing, hardworking guy who leads a quiet, ordinary life. But that is about to change. One evening, after his usual eight-hour bartending shift, he finds a typewritten note under the windshield wiper of his car. If you don’t take this note to the police and get them involved, I will kill a lovely blond schoolteacher. If you do take this note to the police, I will instead kill an elderly woman active in charity work. You have four hours to decide. The choice is yours. It seems like a sick joke, and Bill’s friend on the police force, Lanny Olson, thinks so too. His advice to Bill is to go home and forget about it. Besides, what could they do even if they took the note seriously? No crime has actually been committed. But less than twenty-four hours later, a young blond schoolteacher is found murdered, and it’s Bill’s fault: he didn’t convince the police to get involved. Now he’s got another note, another deadline, another ultimatum…and two new lives hanging in the balance. Suddenly Bill’s average, seemingly innocuous life takes on the dimensions and speed of an accelerating nightmare. Because the notes are coming faster, the deadlines growing tighter, and the killer becoming bolder and crueler with every communication—until Bill is isolated with the terrifying knowledge that he alone has the power of life and death over a psychopath’s innocent victims. Until the struggle between good and evil is intensely personal. Until the most chilling words of all are: The choice is yours .

The beautiful woman appears to be just another corpse in the morgue. But when medical examiner Maura Isles looks down at the body, she gets the fright of her life. The corpse opens its eyes. Now very much alive, the woman is rushed to the hospital, where she murders a security guard and seizes hostages, one of whom is the heavily pregnant homicide detective Jane Rizzoli. But who is this woman, and what does she want? Only Jane can solve the mystery - if she survives the night.

在线阅读本书 The bestselling author of The Surgeon returns—and so does that chilling novel’s diabolical villain. Though held behind bars, Warren Hoyt still haunts a helpless city, seeming to bequeath his evil legacy to a student all-too-diligent . . . and all-too-deadly. It is a boiling hot Boston summer. Adding to the city’s woes is a series of shocking crimes, in which wealthy men are made to watch while their wives are brutalized. A sadistic demand that ends in abduction and death. The pattern suggests one man: serial killer Warren Hoyt, recently removed from the city’s streets. Police can only assume an acolyte is at large, a maniac basing his attacks on the twisted medical techniques of the madman he so admires. At least that’s what Detective Jane Rizzoli thinks. Forced again to confront the killer who scarred her—literally and figuratively—she is determined to finally end Hoyt’s awful influence . . . even if it means receiving more resistance from her all-male homicide squad. But Rizzoli isn’t counting on the U.S. government’s sudden interest. Or on meeting Special Agent Gabriel Dean, who knows more than he will tell. Most of all, she isn’t counting on becoming a target herself, once Hoyt is suddenly free, joining his mysterious blood brother in a vicious vendetta. . . . Filled with superbly created characters—and the medical and police procedural details that are her trademark—The Apprentice is Tess Gerritsen at her brilliant best. Set in a stunning world where evil is easy to learn and hard to end, this is a thriller by a master who could teach other authors a thing or two.

'One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole awoke to the sound of lovemaking - it was coming from her parents' bedroom'. This is the story of Ruth Cole. It is told in three parts: on Long Island, in the summer of 1958, when she is only four; in 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career; and, in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She's also about to fall in love for the first time...

In 1954．in the cookhouse of a logging and sawmill settlement in northern New Hampshire，an anxious twelve—year-old boy fatallv mistakes the local constable’S girlfriend for a bear．Both the twelve-year．old and his father become fugitives—to Boston，to southern Vermont，to Toronto—pursued over the years by the implacable constable．Their lone protector IS a fiercely libertarian logge~once a river drive~who befriends them and distantly watches over them like a vast，idiosyncratic guardian…